Amid the crisp autumn air of September 1777, Private Johan Frederick Emert huddled near a flickering campfire along the banks of Brandywine Creek in Pennsylvania, his woolen coat—part of the standard Continental Army uniform, dyed a faded blue and frayed from months of marching—draped over his shoulders against the evening chill cleaning his musket.
Around him, the dense woods rustled with the movements of fellow soldiers from his Pennsylvania regiment, their tricorn hats tilted low as they cleaned muskets or shared meager rations of hardtack and salted pork. The distant rumble of artillery echoed from British lines, a grim reminder of the day’s fierce engagement where Emert and his comrades had charged through smoke-filled fields, dodging grapeshot and bayonets in a desperate stand against General Howe’s advancing forces.
Born on October 11, 1754, in Berks County, Pennsylvania, to German immigrant parents, Emert enlisted as a private in the Continental Army around the war’s early days, likely in 1776, joining the 3rd Pennsylvania Regiment under Captain John Huling and Colonels Arthur St. Clair and Joseph Wood, part of the Pennsylvania Line under Brigadier General Anthony Wayne.
This unit was dispatched in May 1776 to bolster Colonel Benedict Arnold’s retreating forces in the northern theater. Emert’s movements indicate he would have been stationed at Fort Ticonderoga, where soldiers endured harsh conditions—fortifying defenses, drilling daily, and guarding against British incursions amid the rugged wilderness of upstate New York.
Compatriots’ recollections, passed down through family oral histories, paint a picture of Emert’s likely participation in the naval clash at Lake Champlain in October 1776, where American forces delayed a British invasion from Canada. As a private, his day-to-day activities would have involved sentry duty on the lakeshore, maintaining vessels or earthworks, and foraging for supplies in a landscape of dense forests and biting cold, all while facing shortages that left the army “suffering for provisions,” as he later recounted to neighbors.
By 1777, Emert’s regiment had shifted south, aligning under General George Washington. He fought at the Battle of Brandywine on September 11, where the Continentals attempted to block the British advance on Philadelphia. Amid the chaos of musket volleys and cannon fire, Emert would have maneuvered through open fields and wooded ravines, reloading his flintlock musket under pressure while coordinating with messmates like Peter Wallwur and Isaac Stewal—fellow soldiers he mentioned in stories shared years later. The defeat led to a retreat, but Emert pressed on, likely engaging in the subsequent Battle of Germantown on October 4, a foggy assault on British positions where close-quarters combat tested the resolve of Wayne’s men.
After a brief return home—where he married Barbara Anne Neidig—Emert was drafted again but hired a substitute, unwilling to leave his new bride. Soon after, another draft prompted him to enlist voluntarily for the war’s duration, committing to nearly seven years of service in total. His path under Washington and Wayne included stints near Quebec, possibly as part of northern campaigns or garrison duties, where harsh winters meant enduring frozen outposts and limited rations. In 1779, while residing in Rockland Township, Berks County, he further contributed through patriotic service by paying a supply tax to support the Continental cause.
Emert’s service culminated at the Siege of Yorktown in October 1781, a pivotal encirclement where French and American forces trapped Lord Cornwallis’s army. As a private in the trenches, he would have dug fortifications under fire, stood watch during bombardments, and witnessed the British surrender—a moment he vividly described to his children, who recalled seeing his honorable discharge papers before they were lost in a house fire.
Tombstone of Frederick Emert at Emert Cove Cemetery in Sevier County, Tenn. (Photo: FindAGrave.com /Randy Emert)
Discharged at war’s end, Emert migrated south, eventually settling in what became Emerts Cove, Sevier County, Tennessee, by the early 1790s. There, he farmed the fertile valleys of the Smoky Mountains, raising a family of seven children. The Daughters of the American Revolution recognizes him as Patriot Ancestor #A036640, his service is corroborated by Continental Army rolls, pension affidavits from sons Daniel and Frederick, daughter Barbary Shults, neighbor William Smith (who served with him in the War of 1812), clergyman John Roberts, and Elizabeth Henry (widow of another veteran).
These accounts, filed in 1843–1845 for his widow’s rejected pension claim (numbered R3345V for lack of further proof), emphasize Emert’s tales of army hardships, shared over fireside conversations, underscoring the endurance of ordinary soldiers who secured independence.
Though advanced in years at age 58, Emert answered the call to arms once more during the War of 1812, enlisting for a four-month campaign in the Tennessee militia where he served alongside his neighbor William Smith against British forces. This brief but dedicated service, as attested in affidavits from his Revolutionary War pension file, underscored his lifelong commitment to defending his adopted homeland, even as he managed his farm in Emerts Cove.
Emert passed on January 7, 1829, at age 74, his legacy etched in Tennessee’s landscape and the nation’s freedom. In an era of speculation about unsung heroes, his story—pieced from family lore and military records—reminds us of the quiet valor that built America.
Frederick Emert is the Fifth Great Grandfather of the Columnist Randall Franks.
Doodle and the Golden River Grass Georgia Music Hall of Fame Exhibit in 2003. (Photo: Peach Picked Publishing)
A Zippedy Doodle Day: An Appalachian Musical Legacy
Welcome to A Zippedy Doodle Day: An Appalachian Musical Legacy, a historic string band album and documentary, led by Randall Franks, who honors Doodle Thrower and the Golden River Grass. Additionally, funds support scholarships via the Share America Foundation and Appalachian historical preservation. Therefore, join us in this effort!
About the Project
Project Overview
Bluegrass and Americana artist/producer Randall Franks is spearheading A Zippedy Doodle Day, a historic string band album and documentary to support Appalachian music scholarships through the Share America Foundation, Inc. and the West Georgia Museum in Tallapoosa, Georgia, the hometown of John “Doodle” Thrower.
Legacy Preservation
The project builds on unreleased tracks from the late 1980s by Doodle and the Golden River Grass, featuring traditional folk recordings. This album, paired with a re-release of the band’s entire catalog, aims to preserve and share their legacy while raising funds for aspiring musicians.
“When we lost Doodle Thrower, we lost one of the cornerstones of original country music. He and his band were truly what country music is all about.” — Marty Stuart, Country Music Hall of Famer
Doodle and the Golden River Grass in the 1970s
Doodle and the Golden River Grass
Formed in 1963 as a square dance band in Tallapoosa, Georgia, Doodle and the Golden River Grass became a beloved folk act, known for their comedy, Appalachian folk songs, and upbeat tunes. Recognized as the last of the old-time Georgia fiddle bands, they were a unique part of country music history.
The band featured John “Doodle” Thrower (1929-1994) on harmonica, alongside fiddlers Seals Hicks, Bill Kee, Paul Wallace, Randall Franks, and Jerry Wesley. From the 1970s, James Watson (1935-2017) added clawhammer banjo, with long-running members including C.J. Clackum (guitar), Wesley Clackum (guitar and mandolin), the late Lynn Elliott (guitar), the late Gene Daniell (bass/sound engineer), and Steve Hesterlee (three-finger banjo).
Doodle and the Golden River Grass perform in 1990.
Cultural historian Alan Lomax described Thrower as “a little bit different from anyone we’ve met. He’s of Cornish descent, and he’s not uptight at all,” and the band as “a sort of five-piece Dixieland string band certainly as virtuosic as any gypsy orchestra. And they are playing what I’ve called ‘mountain music in overdrive’.”
Appalachian scholar Loyal Jones acknowledged Thrower in his work Country Music Humorists and Comedians. American folklorist, educator and artist Art Rosenbaum featured him in his visual art and documented the group in several recorded mediums.
A Collaborative Effort
Randall Franks (right) joins The Skillet Lickers (Phil & Russ Tanner), center, and Paul Puckett in the studio.
Randall Franks is inviting specific artists from country, bluegrass, and Americana to donate their time to record on these historic tracks, collaborating with studios near the artists for convenience.
Contributors
Bruce Boxleitner adds his voice bringing a western flair to the project.
Western icon Bruce Boxleitner, a National Cowboy & Western Heritage Museum’s Hall of Great Western Performers inductee and two-time Wrangler Award winner, is saddling up for A Zippedy Doodle Day! Bruce captivated audiences as Luke Macahan in How the West Was Won alongside James Arness to his iconic turn as Alan Bradley/Tron in Disney’s groundbreaking Tron and Tron: Legacy, Bruce has been a household name for decades. He’s battled spies as Lee Stetson in Scarecrow and Mrs. King, commanded the stars as Captain John Sheridan in Babylon 5, and brought comic charm as Billy Montana in The Gambler with Kenny Rogers. Recently, he starred as Ben Watkins in the western Far Haven (2023), proving he’s still a trailblazer.
Banjo star Gena Britt adds her talents at Buck’s Place Recording in Hendersonville.
8-time IBMA Award winner Gena Britt – powerhouse banjo player, vocalist, and founding member of GRAMMY-nominated Sister Sadie (Mountain Home Music Company) – has joined the star-studded lineup.
Fresh off the release of her acclaimed new solo album Streets, Rivers, Dreams & Heartaches (Mountain Home Music Company), her latest accolade includes sharing the 2025 IBMA Instrumental Recording of the Year for “Ralph’s Banjo Special” with Kristin Scott Benson & Alison Brown.
Youth Dante Flores adds three-finger banjo at the Tempermill in Michigan.
Marty Hays, a veteran vocalist and bassist who shined on Rounder and Rebel Records over three decades with David Davis and the Warrior River Boys brings his soulful sound to the project enriching this folk endeavor.
Marty Hays adds vocals at Buck’s Place Recording in Hendersonville near Nashville.
Anthony Howell goes full speed with a bit of banjo at Noxubee Hills Music Group Recording Studio in Mississippi.
As the 2023 National Banjo Champion Anthony Howell and a four-time IBMA Momentum Award nominee for Instrumentalist of the Year, Anthony brings his unique stylings on banjo and come vocals to this Appalachian musical legacy project. He has performed with notable bands including Williamson Branch, the Edgar Loudermilk Band, and most recently joined Seth Mulder & Midnight Run. Follow Anthony for more updates on his music journey at www.facebook.com/p/Anthony-Howell-Music-100048065487181/.
Dale Houston add his vocal stylings at Buck’s Place Recording in Hendersonville
Trevor Holder adds his rolls at Witt Studio in Lafayette.
Banjo virtuoso Trevor Holder joins the stellar lineup. With Trevor’s Reno-style flair and bluegrass chops from The Price Sisters, Cutter & Cash and The Kentucky Grass, and Five Mile Mountain Road, this album and documentary are set to preserve timeless folk tunes like never before. Bluegrass Unlimited heralded him in 2025 as a “Modern Banjo Master” underscoring his rising prominence in the genre.
Country singer Dale Houston heartfelt vocals and traditional country style add a touch of timeless Americana to this collection of folk classics. Fresh off his 2024 album “That’s The Way I Am,” featuring standout tracks and recent nominations for awards like the Josie Music Awards, Dale continues to honor the roots of country music. He has collaborated with country artists such as Lee Newton on “Burning Boats” and David Frizzell on “Lefty, Merle, and Me,” and grew up immersed in the music of legends like Merle Haggard, Vern Gosdin, George Jones, and Conway Twitty. Discover more about Dale at his website: www.dalehouston.com
Jim Lauderdale and Randall Franks work in the studio adding his unique vocals to the project.
Adding his amazing vocal talents, two-time Grammy-winning singer-songwriter Jim Lauderdale, host of the Americana Music Awards, has penned hits for icons like George Strait, Patty Loveless, and Vince Gill and was recently inducted into the Nashville Songwriters Hall of Fame. His illustrious career spans over 30 studio albums since 1986, blending country, bluegrass, Americana, soul, and R&B including his latest “Country Super Hits Vol. 2.” Visit his official website: https://www.jimlauderdalemusic.com/
Alex Miller records at Buck’s Place Recording near Nashville.
Traditional country singer Alex Miller, Billy Jam Records artist, who skyrocketed to fame on American Idol in 2021 at just 17, brings his soulful voice and masterful guitar pickin’ to the album. With hits like “I’m Over You, So Get Over Me,” “She Makes Dirt Look Good,” and his recent songs “Oh Odessa,” “Secondhand Smoke,” and “My Appalachian Home.” Alex has proven he’s a force in traditional country.
At Buck’s Place Recording, Robert Montgomery frails his way in A Zippedy Doodle Day.
The 2004 Old-Time Banjo National Champion Robert Montgomery is renowned for his excellent singing and banjo playing, performing with groups like David Davis & the Warrior River Boys and Alan Sibley & The Magnolia Ramblers. His latest release is Ol’ Times Not Forgotten. He joins other top artists to support Appalachian music scholarships and historical preservation. Follow Robert on Facebook: https://www.facebook.com/robertmontgomerymusic .
Kody Norris makes his vocal and musical additions at Buck’s Place Recording in Hendersonville.
Fresh off dominating the awards circuit — including 2024 SPBGMA Entertainer of the Year, 7 total SPBGMA wins, 2025 IBMA Music Video of the Year for “The Auctioneer,” Kody’s personal Guitar Performer of the Year honors, and guest starring appearances on the iconic Grand Ole Opry stage — Rebel Records artist Kody Norris of The Kody Norris Show brings his powerhouse vocals and blistering guitar picking to this collaboration is pure mountain magic in the making! His 2025 album Highfalutin Hillbilly and current single ‘Waitress, Waitress’ — continue to shine in traditional bluegrass!
Ronnie & Justin Reno record at Buck’s Place Recording in Hendersonville.
Bluegrass legend Ronnie Reno, 2016 SPBGMA Preservation Hall of Greats, and his talented son Justin Reno add their authentic Appalachian vibes to our whimsical journey. The son of Don Reno, from Ronnie’s early days performing on The Old Dominion Barndance at age seven to collaborating with giants like Merle Haggard, The Osborne Brothers, and his hit TV show Reno’s Old Time Music (now streaming on Country Road TV), the 2013 IBMA Broadcaster of the Year’s legacy is woven into the heart of American roots music. Joining him is Justin Reno, a gifted guitarist who’s been stepping into the spotlight alongside his dad and with other Nashville bands.
Mike Scott adds his licks at Buck’s Place Recording in Hendersonville near Nashville.
Legendary banjo stylist Mike Scott brings his unmistakable hard-driving three-finger style and vocals to the project, bringing a 50+ year career of entertaining in every state in the US except Hawaii and 54 countries, 450 Grand Ole Opry performances, and playing with Jim & Jesse McReynolds, Carl Story, Vince Gill, Ricky Skaggs, Rhonda Vincent and more.
Opry Star Ketch Secor records for A Zippedy Doodle Day with Morgan Jahnig at Hartland Studios, Nashville, TN.
Grammy-winning Grand Ole Opry star Ketch Secor from the Old Crow Medicine Show brought his flair to a special performance alongside the Skillet Lickers with Paul Puckett! Secor penned the iconic hit “Wagon Wheel” and in 2025, he released his solo album ‘Story the Crow Told Me.’ He is currently hosting the PBS series “Tennessee Crossroads.”
The project includes contributions from the Skillet Lickers (Phil and Russ Tanner) and Paul Puckett, blending the legacies of Georgia’s first and last fiddle bands. Learn more at https://SkilletLickers.org/
Ralph Stanley II adds his artistry for engineer Jim Price at Hat Creek Recording – Jonesborough, TN.
Grammy-winning Ralph Stanley II, an acclaimed Appalachian performer from Virginia also enriches the project with his artistry. Learn more at https://ralph2.com/
Larry Stephenson, a five-time SPBGMA Contemporary Male Vocalist of the Year, Virginia Country Music Hall of Fame inductee, and acclaimed mandolin virtuoso adds his voice to the songbook. Learn more at https://larrystephensonband.com/LSB/
Bluegrass stalwart Larry Stephenson tunes up before adding his special touch at Buck’s Place Recording in Hendersonville.
Derek Stone brings an enthusiastic traditional style at Witt Studio in Lafayette.
Youth banjo stylist Derek Stone, 15, adds his approach to the album bringing a Reno style approach to one of the tunes. Derek has racked up impressive wins, including First Place Beginning Banjo, Third Place Adult Banjo (twice), and Third Place in the Bluegrass Band Competition at the Smithville Fiddler’s Jamboree, plus First Place in the Kids’ Band Competition at the Mountain City Fiddler’s Convention. Currently in 10th grade at McCallie School, he’s the banjo player for Carl Towns & Upward Road.
With Conner Vlietstra‘s fiddle, guitar, and banjo expertise from The Price Sisters, Five Mile Mountain Road, and The Tennessee Hillbuddies,helps preserve timeless folk tunes like never before. The ETSU graduate is a 2021 Grand Master Fiddle Traditional Champion whohas built a reputation for his technical skill and deep roots in Appalachian traditions. Follow Conner on Instagram @connerbullwheatstraw
Conner Vlietstra creates hot licks for A Zippedy Doodle Day at Tim Witt’s Studio in LaFayette.
Other artists working on their additions include Mary Rachel Nalley-Norris, celebrated as Entertainer of the Year and Instrumental Group of the Year wins with The Kody Norris Show, Dale Ann Bradley, a six-time IBMA Female Vocalist of the Year and two-time Grammy nominee, and #1 Billboard teen mandolin phenom Wyatt Ellis.
A diverse array of talented artists is lined up, each bringing additional richness and depth to the A Zippedy Doodle Day project. Some among those planning to join the effort are Tim Atwood, Dom Flemons, Noah Goebel, Daniel Grindstaff, Trevor Holder, Lee Newton, Marty Raybon, Alan Sibley, Margie Singleton, Smith & Wesley, and Mark Wheeler.
The Songs
We will share details of these classic folk songs as each is completed. Stay tuned for updates on this growing American Songbook contribution!
The FIRST SINGLE RELEASE IS COMING APRIL 10 on AirPlay Direct for Radio and for consumers on Amazon and Itunes. Stay Tuned ….
Support the Project
Your support can bring A Zippedy Doodle Day to life, preserving Appalachian music and empowering musicians through scholarships. Donate to the Share America Foundation, Inc.
Use this QR Code to Donate!
We are working on a CD, DVD, and digital releases. Stay tuned for updates on t-shirts and other merchandise!
You may also send tax-deductible donations via mail to Share America Foundation, Inc., P.O. Box 42, Tunnel Hill, Ga. 30755.
The Documentary
A Zippedy Doodle Day : An Appalachian Musical Legacy
Randall Franks, C.J. Clackum and Wesley Clackum film interviews.
Director Randall Franks began collecting interviews for “A Zippedy Doodle Day” documentary in 2017 when he recorded audio from banjo stylist James Watson. It was at this point the surviving band members developed the idea of an anthology of their music for charity. Shortly thereafter, he began video interviews to accompany this release. Among those collected so far are band members Wesley Clackum, C.J. Clackum, Steve Hesterlee and promoter Chuck Langley.
Others who worked with or saw the band are being sought. Some album participants are also contributing significant memories. The University of Georgia Special Collections Library is working with him to include Doodle and the Golden River Grass materials from the Georgia Folklore Collection archive collected by Art Rosenbaum and other historians. The National Council of Traditional Arts and The American Folklife Center of the Library of Congress assists with materials from their archives.
James Watson and Randall Franks in 2017 in Roanoke, Ala.
Randall Franks and 1970s GRG Member Steve Hesterlee
Armuchee Bluegrass Festival Founder Chuck Langley and Randall Franks
Supporting the Future of Music
Proceeds from A Zippedy Doodle Day will benefit the Share America Foundation, Inc., founded by Randall Franks in 2006, and the West Georgia Museum. These organizations preserve Appalachian legacy and support young musicians through scholarships.
Join us in celebrating this rich musical heritage and introducing a new generation to Doodle and the Golden River Grass!
Tim Witt Studio, LaFayette, Georgia; Buck Jarrell, Buck’s Place Recording – Hendersonville, Tenn.; Engineer Jim Price, Hat Creek Recording – Jonesborough, TN; Morgan Jahnig at Hartland Studios, Nashville, TN; Engineer Erik Maluchnik at Michigan’s The Tempermill;
When available to radio in 2026 you will find us on
More Doodling
Tallapoosa dedicates its Amphitheater honoring Doodle with his widow Ezell and members of the Golden River Grass present in 1999.
Born on October 11, 1754, in Berks County, Pennsylvania, to German immigrant parents, Emert enlisted as a private in the Continental Army around the war’s early days, likely in 1776, joining the 3rd Pennsylvania Regiment under Captain John Huling and Colonels Arthur St. Clair and Joseph Wood, part of the Pennsylvania Line under Brigadier General Anthony Wayne. 
Doodle and the Golden River Grass Georgia Music Hall of Fame Exhibit in 2003. (Photo: Peach Picked Publishing)
