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Chattanooga’s Bluegrass Bonanza: IBMA’s 2025 Triumph

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Chattanooga, Tennessee, transformed into Bluegrass Central, the ultimate destination for pickers, stars, and fans. The city buzzed with the ring of banjos and a sawing of fiddles as the International Bluegrass Music Association (IBMA) brought its World of Bluegrass to its new home at the Chattanooga Convention Center for a five-day celebration. Unless they were performing elsewhere, musicians of all ages flocked to seminars, jam sessions, shows, and lessons covering every facet of bluegrass.

Billy Strings visits with attendees in the exhibit hall.

Every day, attendees and locals spotted icons like Steve Martin, Billy Strings, Del McCoury, Doyle Lawson, and newly inducted Hall of Famers Hot Rize and the Bluegrass Cardinals grabbing a bite at local eateries or strolling between events. The energy was electric—riding up an escalator, I overheard a young fiddler excitedly recount jamming with a legend the night before, a moment that captured the festival’s magic.

The IBMA World of Bluegrass was a resounding success in its 2025 debut at the Chattanooga Convention Center. The Soldiers and Sailors Memorial Auditorium hosted the annual Bluegrass Awards, emceed by Steve Martin and Alison Brown, featuring unforgettable performances. Standout winners included Fiddle Player of the Year Maddie Denton with East Nash Grass, and Jason Carter and Michael Cleveland, who swept Song of the Year and Collaborative Recording of the Year for Outrun the Rain, plus Album of the Year. Authentic Unlimited won Vocal Group of the Year, The Traveling McCourys took Instrumental Group of the Year, and Jaelee Roberts earned Gospel Song of the Year for He’s Gone. Kristin Scott Benson, Gena Britt, and Alison Brown claimed Instrumental Recording of the Year for Ralph’s Banjo Special.

Jam sessions were the heart of the event, with the convention center’s hallways alive with music. Every twenty feet, young players—from toddlers clutching tiny fiddles to teens wielding banjos—jammed alongside seasoned pros, their melodies echoing through the halls. After 9:30 p.m., when the convention center closed, diehards like members of the Tennessee Bluegrass Band migrated to the nearby Marriott, jamming into the early hours.

The Tennessee Bluegrass Band

Across the city, venues showcased talents like Wyatt Ellis, Becky Buller, Little Roy and Lizzy Long, and The Kody Norris Show, which won Video of the Year for The Auctioneer. Fans mingled with heroes, snapping photos and shaking hands.

Exhibit halls hosted global band showcases and youth performers debuting skills honed in dedicated workshops. Seminars highlighted bluegrass history, including a tribute to Hazel Dickens and a panel with legends Paul Williams, Doyle Lawson, and Male Vocalist of the Year Greg Blake. Dom Flemons led a session on African American Hall of Fame inductee Arnold Shultz’s influence on pioneers like Bill Monroe.

Billy Strings, Entertainer of the Year, wondered through the exhibit hall, picking up guitars and whipping out a tune including on Jimmy Martin’s guitar—available for anyone to strum, thanks to Martin’s son—and joining Junior Sisk and New Artist of the Year Red Camel Collective for a tune before his keynote address.

On Friday and Saturday, thousands filled Miller Plaza, where four stages, including one for youth talent, showcased acts like The Infamous Stringdusters, Carter and Cleveland, and Sister Sadie. Local Chattanooga stars, including Mountain Cove Bluegrass, the Landon Fitzpatrick Band, Carl Towns and Upward Road, and Emerald Butler dazzled international audiences with their homegrown flair.

Mike Bub and Randall Franks

I was honored to direct the Special Industry and Distinguished Achievement Awards alongside producer Chris Keenan and an amazing production staff, spotlighting talents like Missy Raines and Ron Thomason. Five-time Bass Player of the Year Mike Bub served as our host for the show. One unforgettable moment was watching a young guitarist, barely taller than his instrument, beam with pride as he played alongside a bluegrass legend, a reminder of the genre’s vibrant future.

Celebrating its 40th anniversary, the IBMA has made Chattanooga its home for the next three years. If you love bluegrass—or want to discover your new favorite band—mark your calendar for October 20–24, 2026, and October 19–23, 2027. Visit IBMA.org to plan your trip and join the celebration!

New music from bluegrass legends Lawson and Williams

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Two masters of bluegrass bring their next installment of the music that helped make them legends. Doyle Lawson and Paul Williams present Chapter 3 from Mountain Home. It’s the style they first learned together as members of Jimmy Martin’s influential band years ago before labels were differentiating Country, Western and Bluegrass music and songs of heartbreak stood side by side with inspirational Gospel numbers
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It’s classic Country and Gospel Music with the natural blend of unsurpassed brother style vocal harmonies. Songs of longing over lost love and of hope found by looking to the hereafter. Nearly all from the pen of a single writer, making them deeply personal, and each reminding us of what Country music, in terms of style, used to be.

The lead-off song is a vintage Dolly Parton number, “Til Death Do Us Part.” A cautionary message about vows of love. Next, comes Bluegrass with “I’ll Still Write Your Name in the Sand” and a banjo kick from guest, Joe Mullins, a man skilled in this classic style of the early form. It gives Williams the lead vocal duties and demonstrates that he is still in his prime at 83.

The album continues with selections handpicked by Doyle Lawson from his mental vault of curated rare gems he has always kept in mind for a special recording like this. Duet style vocal arrangements like in the gospel song “I Feel Better Now” and unique rhythmic phrasing heard in “Big Fool of the Year” give these heart-tuggers a treatment that makes evident they were chosen for emotional impact and because they are a natural fit for these two.
It also boasts three tracks written by Williams including the recently penned “What I’m I Gonna Do with This Broken Heart” which shows how naturally this classic style comes to him.

It takes a studio band that can capture the soul of the Classic Country intention and the players here do just that. Tim Surrett on bass, Josh Swift on resonator guitar and drums, Stephen Burwell on fiddle, David Johnson on pedal steel and the aforementioned Joe Mullins on banjo. Lawson and Williams command the two instruments they have mastered, guitar and mandolin respectively.

Chapter 3 is a continuation of a legacy series of recordings that began with Old Friends Get Together (2010) and was followed by Standing Tall and Tough (2014) which included Lawson, Williams, and now retired banjo legend J.D. Crowe. This new release pays tribute to the music that shaped the style as well as the careers of these men. It is this early style that gave form to so much of what today’s Bluegrass and Roots Country music is. Rest assured the story is not over, just beginning a new chapter.

 

For more information, visit http://mountainhomemusiccompany.com/, and http://doylelawson.com/.