Track: The Dog Who Listened

I stepped out the back door and plopped down on the top step. Our back stoop had just three concrete steps leading down to the sidewalk, which ran along the rear of the house to the gate.

There, my faithful, hairy companion Track arrived and rested his head in my lap. He was a cross between a beagle and a peekapoo and looked like the movie dog Benji, but with darker hair.

As a child, I was allergic to animals, so I wasn’t always the loving master Track deserved. My father made up for my shortcomings, I think. Still, there were many times when my childhood world seemed to be crashing down around me, and Track would lay his head in my lap for a heart-to-heart.

I often paint with the brush of idealism when I write—because we all prefer the polished version of the past. But there were times when the gleam didn’t reflect well on us.

Life isn’t easy, and the daily grind can wear us down. Parents sometimes share intense “fellowship” with each other. Sometime kids push the envelope saying or doing things they should not. In my experience, though, that rarely ended well for the child. A meeting of the minds often came with the crisp whir of my father’s belt slipping through its loops—a sound every kid recognized as the line being crossed. We’d bolt for cover: the bedroom, the den, or—on occasion—behind my mother’s kitchen chair. Sometimes she’d come to our defense, but mostly the two tall grown-ups were united on discipline. For me, the licking wasn’t pleasant, but the pain was transitory. The lesson lingers decades later.

When the stress peaked—whether from my parents’ arguments, my own misbehavior, or a friend’s betrayal—Track was always there. His brown eyes gazed up into mine, listening to my complaints as tears ran down my cheeks.

He listened. He consoled. In some way, I know he understood my hurt. Compassion knows no bounds between humans and our furry friends. For me, Track was a constant. Our playtime was limited, but he entertained himself with fierce intensity in his enclosed backyard domain. He’d bark insistently at any passersby who dared approach the fence, claiming his territory. The garbage men endured it every Tuesday as they grabbed our two metal cans, hauled them to the truck, dumped them, and returned them. Service was personal back then. Track would bark at our cans, follow them to the truck, then race to the neighbor’s in-ground can to bark some more. I assume he relished the weekly ritual.

For all his bravado, Track wouldn’t hurt a fly or snap at a person. I recall one adventure when we harnessed him and the neighborhood dogs to wagons with wheels and raced them down the street. Oscar, a huge dog, always won—and if he broke free, we’d chase him endlessly. Track excelled at pursuit, shooting down the block like a bullet from a gun. I’d usually find him at Oscar’s fence, the two running back and forth, one on each side. He did the same with Herman, the elderly next-door dog who preferred not to run.

Except for a few months while I earned my animal husbandry merit badge, Track led a solitary life, broken only by brief visits from neighbor dogs. During that time, we brought home Lassie from Raymond, the janitor at my elementary school. She and Track had seven puppies, which we placed with families—including some back with Raymond, who hunted with them. Lassie eventually went to another home, too.

Track was my confessor, my friend, and my steadfast companion through childhood.

When he passed, I built him a small coffin and laid him to rest between a peach tree and a crab apple tree—his favorite spot. It was a sad day for my dad and me as we said goodbye. I haven’t had a pet since, and I don’t plan to.

Appalachian Fiddler Randall Franks joins The Moonlit Road.com for a new podcast celebrating it’s 28th Anniversary

Randall Franks (second from left) reviews his musical enhancements in the studio with director Craig Dominey (left) and audio engineer Henry Howard. (Randall Franks Media)

Appalachian entertainer/actor Randall Franks, JMA Musician of the Year – Fiddle, adds his original musical accompaniment to a new episode of the heralded folklore podcast The Moonlit Road.

“Storytelling and fiddling has long gone hand in hand,” Franks said. “My great grandfather A.J. “Harve” Franks combined the two, entertaining all who came his way. In this adventure, I support another great storyteller.”

The Moonlit Road.com, the definitive online home for strange tales and ghost stories from the American South, today announced the exciting relaunch of The Moonlit Road Podcast. Celebrating its 28th anniversary, the influential digital folklore project is returning with an all-new series featuring performing storytellers and musicians, some of whom have not recorded with the team in over 25 years.

The relaunch signals a renewed commitment by the original production team to share the rich, eerie tapestry of the Southern storytelling tradition. The site and podcast, which has been hailed as the “masters of campfire lore” by Garden and Gun Magazine, will feature ghost stories, strange folktales, and regional myths, blending professional audio production with authentic Southern talent.

Inaugural Episode Features World-Renowned Musician

The first episode of the new series, “The Cow That Ate The Preacher,” sets a high bar for the season. This chilling and darkly funny Arkansas ghost story tells the tale of a traveling preacher, who has lost more than his way, and seeks revenge on an inhospitable farm couple.

  • The story is masterfully told by local storytelling legend David Hirt.

  • It features original musical accompaniment by world-renowned bluegrass musician and actor Randall Franks (Find him at https://randallfranks.com/).

“Many of my people come from the land of kilts, fiddles and bagpipes,” Franks said. “This retelling of a folktale from the old country just in time when many are focusing upon things that go bump in the night, allowed me to reconnect a bit with my Celtic heritage.”

The storytellers featured in the new series are well-known to the Atlanta, Ga. community, regularly performing at beloved live events such as the Tour of Southern Ghosts in Stone Mountain and Capturing the Spirit of Oakland in Oakland Cemetery. Check out the podcast at https://www.themoonlitroad.com/the-cow-that-ate-the-preacher/ .

A Return to the Dark Backroads

“We are thrilled to celebrate nearly three decades of sharing the South’s most spine-tingling stories by bringing the original team back together,” said Craig Dominey, Founder and Producer of The Moonlit Road.com. “This relaunch is a homecoming, allowing us to post new, high-quality audio stories that capture the unique atmosphere of the Southern storytelling tradition. For long-time fans and new listeners alike, it’s a chance to light a lantern and join us back down The Moonlit Road.”

New episodes of The Moonlit Road Podcast will be posted monthly and are available on all major podcast platforms, including Apple Podcasts, Spotify, and via the website at TheMoonlitRoad.com.

About The Moonlit Road.com

Founded in 1997, The Moonlit Road.com is the web’s leading source for Southern ghost stories, folktales, and strange-but-true tales, narrated by the region’s best storytellers. For over 25 years, the organization has been dedicated to preserving and promoting the oral tradition and distinct folklore of the American South.

CONTACT: Craig Dominey, Founder/Producer – The Moonlit Road.com feedback@themoonlitroad.com

Make the Most of Today

Life is a stage, and as we play our parts, we face the sudden and lingering exits of those we hold dear. The first loss we experience is often a relative, sometimes a friend.

As a young child, I was deeply affected by the death of my Great-Uncle Jadie Harris, though I don’t recall the details—only the weight of grief I was told I carried.

Last week, an unexpected lunch with childhood friends Pam and Bob Padgett brought back memories of another loss: Pam’s sister, Nancy Burgess, who succumbed to kidney failure. Our mothers were close, and we spent countless hours playing board games while they laughed and talked. Nancy’s death, the first of a playmate, shook me as a youth. Until then, death had been reserved for older relatives—great-great-aunts and uncles whom I adored, blessed as our family was with longevity.

In seventh grade, I recall a season when funerals seemed constant. When someone passed, our world paused. My parents consoled grieving families, helped with arrangements, or simply sat with them in silence. We children did our part, distracting younger cousins with games to shield them from sorrow.

As years passed, I noticed losses arriving in waves, marking generational shifts: first my great-grandparents, then grandparents, then aunts and uncles. Over the past decade, I’ve watched my own generation—and even some from the next—begin to depart. Just this week, two unexpected losses struck: a hometown friend whose dedication transformed our community, and a film industry colleague with whom I worked for over a decade to create opportunities for others.

Soon, I’ll attend one friend’s funeral to offer condolences and share memories with those who loved him. I’ll also call another friend who recently lost both his brother and wife, hoping light conversation might lift his spirits.

When we leave life’s stage, our role ends. Loved ones may mourn, but the world moves on. God doesn’t promise us tomorrow—only today, a gift to use well. Are you living fully in this moment? Are you lifting those around you?

Even a life as long as my friend Violet Hensley’s—109 years as an Ozark entertainer—passes in a blink from cradle to grave. So use today. Love with kindness, bless others, and live with purpose. Then, when your final curtain falls, the applause will echo.

How do we leave behind something worth remembering?

Oftentimes in life, we concentrate our efforts on paying the next bill, dealing with a loved one’s problems, or chasing the next goal.

I recently saw a meme of a man in three stages of life pursuing money flying through the air: In the first, he has none; in the second, an armful; and in the final, an enormous amount clutched in his arms. But that third panel shows a cliff with a sign: ‘The End.’ He’s reached his goal—and the end of life.

While this is simple commentary, for many it’s true. In the meme, no children or spouse stand with him, so I assume he ran alone.

As someone who’s done the same, this can be a stark awakening: We’ve wasted our lives chasing elusive dreams, clutching at meager successes—power, money, or things we see as prizes.

But is there a way to run that race—even alone—and leave something that outlasts us, giving meaning to our efforts?

I think of people in ministry: D.L. Moody influenced Billy Sunday, who inspired Billy Graham—all rooted in the Word of God. Their work endures through the millions they touched, and the millions more reached in turn. We may not trace the seed of faith we encounter back to Moody or even the twelve disciples, but it still has impact. Those who carried it forward left something worth remembering.

For history lovers, we wander through museums, castles, and old homes named after long-ago philanthropists who built in stone to endure. We glimpse their lives through artifacts, staring into paintings or photos to capture their essence. Sometimes, a story inspires: how someone who died with millions started as an orphan or street waif and rose through hard work. These tales encourage us to improve our own lives. They might have left their money to family or causes that changed others’ worlds, creating a memory beyond their time.

Are they aware? Some believe they watch from heaven. I think once we cross over, old things pass away; while we await loved ones, God shifts our focus beyond the earthly realm.

None of us is promised tomorrow, but we have today. Use it to make a positive impact—through service, mentoring, or giving away accumulated wealth. To see the change, create it now. Touch hearts with your time, knowledge, and gifts; change worlds one person at a time.

This is the only way to leave something worth remembering. One person a day adds up over a lifetime. Go out and change the world!

Bluegrass Brilliance: Pickin’, Grinnin’, and New Horizons

One of the standout banjo players at Chattanooga’s 2025 IBMA World of Bluegrass was Gena Britt, a founding member of the powerhouse band Sister Sadie. With a stellar solo reputation spanning over 30 years, this acclaimed picker—nominated again for IBMA Banjo Player of the Year—has teamed up with Mountain Home Music Company for her first solo album in nearly six years. Streets, Rivers, Dreams & Heartaches delivers her signature virtuosic banjo work and soulful vocals, but it also showcases an artist evolving, blending traditional bluegrass with fresh creative edges.

“I am so grateful to Mountain Home for believing in me and allowing me to create this music that I’m so very proud of,” Britt shares enthusiastically. “The musicians and singers I assembled for this project sound so good together! We first played in an all-star configuration at the Station Inn, and it was so much fun that I wanted to continue that in the studio. These guys and gals truly poured their hearts and souls into these songs, and I cannot wait for the world to hear them!”

The album features award-winning fiddler Jason Carter and his former Travelin’ McCourys/Del McCoury Band mate Alan Bartram (acoustic bass, harmony vocals), alongside singer-guitarist John Meador (Vince Gill Band) and rising mandolin star Jonathan Dillon. Additional contributions come from East Nash Grass’s Jeff Partin (resonator guitar), Dillon’s Red Camel Collective bandmate and award-winning singer Heather Berry Mabe, Balsam Range’s Caleb Smith, The Isaacs’ Ben Isaacs, and old-time banjoist Tina Steffey.

This collection paints a vivid portrait of an artist rooted in authentic bluegrass she’s mastered and shaped for decades, yet bold enough to push boundaries. Streets, Rivers, Dreams & Heartaches proves Gena Britt is hitting her musical prime—pre-save it now ahead of its November 7 release. Get it here: https://clg.lnk.to/gb-SRDH

Speaking of IBMA triumphs, my friends in The Kody Norris Show are riding high after winning the 2025 Video of the Year for “The Auctioneer.” Hot on its heels, they’ve released their latest music video for the single “Silver Eagle” from their new album Highfalutin Hillbilly. Bursting with personality and charm, the clip follows Kody and his sweetheart Mary Rachel on the road—until she eyes greener pastures (all in good fun, of course). It even boasts a surprise guest appearance by Grand Ole Opry member and country legend T. Graham Brown. For more bluegrass flair and tour info, head to thekodynorrisshow.com.