David Davis, a bluegrass mandolin stilled

/in /by

The rained poured down on the fairgrounds at the Cedartown Georgia fairgrounds. It was the site of a new bluegrass festival including many talented acts. I was there with my youth group, the Peachtree Pickers. We were dodging mud puddles from the rain that had already come in to get to the stage.

When another storm front came through, my father and I sought refuge in a cattle barn on the grounds. Inside, we found David Davis of the Warrior River Boys (www.DavidDavisandWRB.com) and his father also dodging the bad weather. They were also on the bill that day.
This deluge created an opportunity for us to meet and talk. That day began a four-decade long friendship that led David and I into an unusual musical creative partnership.

As we both plotted the course for our future careers in Bluegrass and beyond, we saw the opportunity to be cheerleaders, counselors, and sounding boards for ideas and opportunities as they came to us. Our talents and our styles were different, so we didn’t see each other as competing for the same ground and jobs, however we believed in each of our strengths we could compliment what was ahead.

Doors opened for both of us as David landed on Rounder Records and created critically acclaimed albums and a widening festival audiences with his Monroe-infused Appalachian roots sounds.
I shifted to guest starring for the Grand Ole Opry and crossed over to acting in network TV reaching large country music audiences.

Whenever David needed a musician, all he had to do was call and went to help. When I began mounting my country variety shows – The Hollywood Hillbilly Jamboree, I asked David to join me and provide the bluegrass portion and do some songs with me as I moved from country, to bluegrass, to gospel on my shows.

He moved along to Wango and Rebel Records and even had some Time-Life recordings as the years ticked off before returning again to Rounder.

As I was focusing more closely on my Appalachian roots, I asked David to record a brother-duet album with me called “God’s Children.” He didn’t hesitate and we created some eclectic sounds with pioneers “Doc” Tommy Scott, Cotton and Jane Carrier, and my television friend Sonny Shroyer “Enos” from “The Dukes of Hazzard” as special guests.

Through much of what we considered the ups and downs of the music industry, we held on, grew, learned, and tried to remain relevant, reinventing and creating opportunities to leave a mark. There was not much that either of us did in the music business, that the other didn’t chime in his thoughts.

I know these memories are probably not of much interest, but I received the sad news before writing today that my friend David died due to injuries sustained in an auto accident Sept. 15 in his home state of Alabama. His wife Cindy was injured but is recovering.

The news has rocked the worldwide Americana and bluegrass music community as he was widely respected and admired. He had also become a mentor to many talented young artists now finding their place in the larger music scene such as Wyatt Ellis, The Price Sisters, Jeremy and Corrina Rose Logston Stephens of High Fidelity, Kody Norris of the Kody Norris Show and RFD-TV star Alan Sibley and so many more.

I helped his family prepare a press release about the Alabama Bluegrass Music and National Old Time Country Music Hall of Famer’s amazing life and his extensive musical catalog that has touched millions through performances, television and radio.

We will soon gather in Cullman, Ala. to remember and celebrate the life of a true Southern gentleman whose mandolin playing and vocal stylings have touched two generations of music fans.

I hope you will celebrate his talents by finding his music, download or buy an album, or listen on YouTube and share it with friends. You may also donate to support Appalachian music scholarships in memory of David Davis at www.ShareAmericaFoundation.org or by sending to Share America Foundation, P.O. Box 42, Tunnel Hill, Ga. 30755. Rest in peace David. You are missed.

Grass, water and people – reconnect with the world

/in /by

I walked across the back yard in my bare feet. I do this from time to time as it reminds me the sensation I recall from childhood, the grass wrapping its way around the curves in my feet.

Touching the ground provides a connection to God’s blessed creation. I don’t think we ever get to old to remember the sensation.

It was much the same the first time I waded out into the lake as a child. Feeling the water all around me. I knew no timidness as a youth. You don’t worry about what is lurking beneath the water. Just that the cold water makes you feel better. However, for me as time went along, that desire evaporated from within my thoughts. I really don’t care for swimming or wading in lakes these days.

Since my earliest days I was fascinated by hiking through the mountains. The trees, the wildlife, and sometimes simply finding a rock sitting down and staring out across a unique vista I had not seen.

It’s in such moments of peace that I have found the inspiration to write. The words can create songs, lessons, ideas for films or books.

God’s gifts seem to flow when He blesses. Yet, sometimes there seems to be a block. At those times, more of His gifts must simply come into view.

Those gifts can also take the form of other people.

One of my favorite times of year was Christmas as a youth. A place I loved to be, now unfortunately pretty much a thing of the past was the shopping mall. It was a joy to find a quiet corner and simply watch folks as they enjoyed their time together shopping. The kids filled with the joy of the season. The mothers and fathers a bit hurried and out of sorts as they tick off things from their to do list.

From these moments, I could also see God’s gifts.

When we touch the earth with our hands as we plant within the garden, when we take the time to run our hand across someone’s pet, we are connecting to the creation.

Nothing we can do in life can move the spirit within us like God’s ability to uplift us with His amazing creations which sometimes we don’t take the time to recognize.

Spend some of your time reconnecting with the earth and the people around you and you might find a new muse that could inspire your life.

Take down the fiddle and bow

/in /by

I was sitting on the linoleum floor looking up at the fiddlers as they sat around in the den of the Everett’s house playing tune after tune. Musicians flow in and out and spectating listeners line the seats around the walls. I was pre-teen and trying to pick up licks they were doing as I watched their fingers move and the their bows go up and down.

Unlike my youth learning experience, today, youth doing the same have the amazing ability to simply take their phone and find a video of a fiddler playing the tune they want. But there is nothing like being in a room hearing and seeing another fiddler play.

That is what many of the youth who competed at the 53rd Grand Master Fiddler Championship had the chance to do as many of the greatest fiddle competitors gathered outside Nashville at the Turner Theater in Franklin as the contest took place Labor Day weekend.

I walked down the hallway between the stage and the warm-up rooms and youthful fiddlers leaned against the walls watching the older competitors warming up with their accompanists getting ready to walk on stage and be judged for America’s top Grand Master Fiddler.

I was blessed to return to serve as celebrity host, a role I been honored to conduct since 2007. I was a teen the first time I came to this contest brought by my childhood mentor Eugene Akers getting to see the great fiddlers.

As I looked in the eyes of the youth while walking down the hallway, I could see their excitement. In their anticipation, I knew their fears as they waited for their chance to convince the judges they had improved in their efforts.

Many of the former youth are now competing in the adult open category. Seeing the young adults excelling is such a blessing.

When I was starting out the youthful fiddlers who were ahead and plowing the way for us kids were Mark O’Connor, Jimmy Mattingly, the late Randy Howard and others. This year’s event was special in that Mark was there sharing a special hour of music with his wife Maggie. Jimmy was there being honored with the Dr. Perry F. Harris Award. Another early competitor Monte Gaylord of Oklahoma came back and competed after many years, shining in his performance.

This year’s event was squeezed into one day, filled with about 40 fiddlers sharing a breakdown, a waltz and a tune of choice. Two Canadians and one fiddler from the Netherlands also tried their luck. One that seemed to be a favorite this year was Kenny Baker’s “Festival Waltz” as fiddlers of all ages shared it. Another often played tune was “Don’t Let Your Deal Go Down.” A tune I played as a Blue Grass Boy with Bill Monroe – “Road to Columbus” also seemed to be more prevalent this year.

From my vantage point at the podium, I will have to say, there were more existing Grand Master Fiddlers competing against each other or simply present at this event than I ever recall in my years of participating. The audience certainly heard the best of the best.

The 2024 Grand Master Fiddler of the open category is Ridge Roberts of Granbury, Texas, and in the youth category is Tristan Paskvan of Southlake, Texas. Todd Varble won the accompanist award. Marty Elmore received the Charlie Bush Traditional Fiddler Award. Naomi Dornfeld received the Matthew Thomas Lin Scholarship Award. Learn more about the Grand Master Fiddler Championship at grandmasterfiddler.com or follow them on Facebook.

Actor/entertainer Randall Franks releases new single as tribute to Andy Griffith

/in /by
Appalachian humorist Randall Franks and Crimson Records are pleased to announce the release of a new comedy performance from the award-winning performer: “What It Was, Was Football.“
Support Our Efforts – Download Recording Please:
Itunes: https://music.apple.com/us/album/the-americans-creed/1743671704
Amazon Music: https://www.amazon.com/dp/B0D2WGJ1Y5/
Radio programmers via AirPlay Direct https://airplaydirect.com/music/RandallFranksTheAmericansCreed/
Written by Andy Griffith, the monologue is the story of a Southern Christian revival worker setting up a revival tent who stops to grab a bite to eat but is swept up in the fervor of a crowd of folks headed on a wondrous adventure to watch something that he never had seen before. He then describes what he saw.
Randall’s version of the classic comedy story is now available to radio programmers via AirPlay Direct and on streaming services. For nearly thirty years, Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” has consistently included Appalachian humor in his performances. The late Appalachian scholar Loyal Jones recognized him as a unique voice in Southern humor in his book “Country Music Humorists and Comedians” reflected through his shows and comedy releases such as “Tunes and Tales from Tunnel Hill” (1995), “Comedy Down Home” (1999), and “Keep ‘Em Smilin’” (2016). His comedy recordings and his comedic acting performances on TV and in films are among the most beloved by his audience.
“Like many, one of the people who greatly inspired my career is the late Andy Griffith,” Franks said. “He did what many young Southern performers hope to do in combining acting, comedy and music into a decades-long career while creating several long-lasting TV series.”
Franks attributed “The Andy Griffith Show” as being one of the reasons he became a musical entertainer with its features of the Dillards as “The Darlings.”
“I included Andy and the Dillards in my “Encouragers” book series sharing the impact he and they had on my life and career,” he said.
His new album also includes music from his film “The American’s Creed,” live appearances from his Hollywood Hillbilly Jamboree and 40th Anniversary recordings of Randall appearing live with Bill Monroe and the Blue Grass Boys – Wayne Lewis, Blake Williams and the late Tater Tate. Franks recently launched a new web page highlighting his time with the legendary music icon at www.RandallFranks.com/Bill-Monroe-and-the-Blue-Grass-Boys . Funds raised from these recordings benefit the Share America Foundation, Inc. and its Pearl and Floyd Franks Appalachian music scholarships.
                                                                                                                              __________________________________
The Single – What It Was, Was Football

“What It Was, Was Football” is Randall’s latest single release and is a tribute to the classic TV actor and comedian Andy Griffith who released it 70 years ago charting in Billboard’s Top 10 in February 1954. “There was probably not another person who had a greater impact in most Southern homes than Andy,” Franks said.
As a special addition to his #7 AirPlay Direct Global Americana Album “The American’s Creed,” the multiple music hall of famer recorded Griffith’s career beginning monologue “What It Was, Was Football.”
“Using my own comedy style, I have re-created what I felt was magical about his amazing hit,” he said. “It is available for all radio stations just in time for high school and college football seasons. I hope that radio around the country might give it a spin recognizing the 70th Anniversary and my paying tribute to this great performer.”
To the classic monologue, he added hints of his unique fiddle stylings including support from Gospel and Bluegrass music personalities: Mark Wheeler on guitar; Lewis Phillips on banjo; Steve Easter on resonator guitar; Jeff Easter on piano; Travis Lewis on acoustic bass; and the late Grand Ole Opry star Jesse McReynolds on mandolin.

Randall Franks pauses with Artist Colton Brown who created the artwork for the What It Was, Was Football video.

“What It Was, Was Football” is now available from Crimson Records for radio programmers via AirPlay Direct or by requesting a direct download here. It is also available on popular digital streaming platforms such as Amazon here or Itunes here, or can be seen featuring a unique artwork by Colton Brown on Randall Franks TV on YouTube (https://youtu.be/VxFDUQP_n1M), Rumble (https://rumble.com/v5e30dh-what-it-was-was-football-randall-franks.html), and Brighteon (https://www.brighteon.com/deaaf5e3-efc1-43c1-8357-74335bf81f39). 

 

                                                                                                                              __________________________________

 
Trivia: 

Are the two actors Randall Franks and Andy Griffith who played notable comedic Southern police officers related?

Yes, Randall and Andy are quadruple country cousins as they share at least four sets of grandparents in their family trees being related to each other through each of Andy’s grandparents – the Griffiths, Taylors, Nunns and Cassells and both of Randall’s parents.

Sources: Franks and Related Lines Genealogies – FamilySearch and Ancestry 

                                                                                                                              __________________________________


About Randall Franks
Randall Franks is a former NBC and CBS actor; an award-winning author of 11 books with his latest being “Seeing Faith: A Devotional” and a murder mystery “A Badge or an Old Guitar;” a journalist and a syndicated columnist who inspires millions of readers in the South and Midwest each week.
The International Bluegrass Hall of Fame Legend and Grand Ole Opry guest star marks his 40th Anniversary of debuting for the show this October.
He is an Independent Country Music, America’s Old Time Country Music, Atlanta Country Music and Tri-State Gospel Music halls of fame member and a Georgia Music Hall of Fame honoree with a long list of awards in multiple music genres. Through his Share America Foundation, he inspires youth to learn and share the music of Appalachia.
Georgia honored him for his service and philanthropy to the people of Georgia for helping raise millions to assist those in need. He starred and co-starred in four TV series and in 18 films for Hallmark, CBS and UpTV. He shared in numerous acting awards including for his latest films “The Cricket’s Dance” and “The American’s Creed.” 
He is a 2024 Inspirational Vocalist and Musician of the Year nominee and his song “God’s Children” went to #1 on the Cashbox charts in 2023. He currently hosts the music-fueled TV show “Appalachian Sounds.”
To TV fans, he is known best as “Officer Randy Goode” from the drama “In the Heat of the Night.” 

A harvest of hope to sustain us

/in /by

As the men folks worked endless hours to bring the harvest home, the women folk prepared the fires and the iron kettles for cooking in preparation for canning what was brought in on the wagons from the fields.

While much of what was gathered was taken to town to sale, enough was stowed by for the host family and all the neighbors’ families helping with the harvest and the canning.

When this crop was laid by, the men would move on to the neighbor’s farm and the women folk to the neighbors yard and kitchen and do it all again with another vegetable crop.

Tomatoes on one farm, corn on another, okra another, beets on another, and when the vegetables were all in, root crops, fruits stowed away, it would be near time for the hogs to be prepared for the smoke house.

Growing and putting back was a constant day-to-day circle of life in the valley below the Gravelly Spur.

All took it in stride and as each season turned and the tasks rotated around the circle of the sun and moon as they shined their light down in the Appalachian valley.

The work would break for church meetings on Sunday, community socials, and an occasional music gathering. When the harvest work was done, the musicians in the valley would gather bringing their guitars, banjos, fiddles and anything that could keep a rhythm to the center of community.

They would stand and play on the porch as the folks gathered in the dirt lane. Old Benson Wills would stand up on an apple box and call the dance.

It was in these moments the young men and women who were not yet spoken for began to smile upon one another even if it was only for the brief swings within do-Si-do.

But the happiness of the passings within the dance often sustained their hearts for days and weeks as the toiling of each day returned their routines, the life, the hardships and the happiness that on occasion brought the ends of their mouths to upturn.

Stoicism was the norm, the happiness was reflected in the hearts rather than their faces oftentimes. It was sometimes difficult to tell the difference between sadness and happiness in many, but anger could easily be distinguished because that usually brought a raised voice and raised hands formed in a fist. \

Thankfulness was visible also, it could take the form of an outreached hand to shake, a bowed head in prayer, or returned unexpected kindness.

When work was done each week, the families gathered to give the Lord thanks in the chapel, sing songs, and hear the scriptures.

It was these times and the music gatherings that eased the in between.

When we look at our own lives in this ever spinning modern world, may we find the comfort that sustained our ancestors in the much harder lives that they lived.