Help where you can

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The winds blew strongly, some trees crackled as the broke while other simply bent with the wind.

Around us houses were lifted off their foundations and some where obliterated into a pile of rubble or every stick that made them up was simply carried away in the wind.

These were some of my memories of living through a tornado 14 years ago that impacted 600 homes destroying many and many businesses in my home town. The coming weeks and months while serving in rescue, relief and rebuilding were an unbelievable experience that I would not wish to live again.

In the process of doing those efforts, rescue and relief workers develop their own type of post traumatic stress disorder. This doesn’t become apparent in many until after all is said and done.

Our Southern country and my native Appalachia have been dealt a terrible blow by Hurricane Helene and now we learn Florida will face another with Hurricane Milton as I write this piece.

As I watched the stream of bits and pieces coming out of east Tennessee, southwest Virginia, western North Carolina, South Carolina, Georgia, and Florida, I found myself rolling back into my post tornado senses.
I had the urge to go out and get in the car to go to help with the rescue and response. The reality of it was, I was hours away, there was little I could do in areas where I was unfamiliar with the territory and without an organization on the ground to which I could connect, unlike in my own hometown.

As I saw ancestral towns that previous generations called home in distress, it pulled upon me, knowing there was little I could do at this point but pray and share opportunities for people to assist financially as I found solid leads for help.

From my experiences, I learned it is the local churches and local non-profit volunteers supporting local fire, sheriff’s and police departments alongside the responding city and county workers that carried us through. Endless hours and endless tasks as long as there were more to help, more to seek out, more to provide for days, weeks and months.

As I have seen the needs on social media streams, the remote areas impacted in the Appalachians, I know the rescuers have their tasks cut out for them to try and reach as many as they can. I have seen teams on foot, on horseback followed by pack mules or pack goats, folks on ATVs, and helicopters and drones carrying in supplies, and those same helicopters taking survivors to safety.

The devastation across six states will require months and in many areas years to recover as towns were simply wiped from the face of the earth. We need to include these rescue and relief workers and the victims constantly in our prayers as our lives go on as normal, theirs are mired in the mud that now surrounds all they knew.

If you are able to physically respond and volunteer in any of the impacted areas, I encourage you to seek out opportunities and bless those in need. If you are able to give, please find local churches or non-profits or those you know for sure are on the ground making a difference. My experience is your monies go farther and are better utilized with them than if given to well-known nationally known organizations. The one exception to nationally known in my experience is Samaritan’s Purse which I have seen on the ground working in the Appalachian areas. The Cajun Navy has been very active in the response as well. Also, there are many private helicopter pilots flying missions and their fuel costs are extensive. So, if you can find ways to help those through charities or individuals, I know it will be an appropriate place for funds.

Once all the areas are reached and the living are initially helped, there will be thousands without a houses because insurance will not cover their losses either at all or even in part. Their homes will have to be rebuilt and there will be need for money and volunteers.

There will likely be thousands that must be buried once that phase becomes the focus. I read of one family that lost fifteen members as a house slid down a mountainside. In the end, many families will never know what happened to their loved ones because no body will be recovered or will be recognizable or identifiable wherever they may have washed to rest. With their homes washed away, knowing whether they had any life insurance will likely be very difficult. Their survivors will need help and I imagine counties will be developing cemeteries for rest of the unknown victims.

“The American’s Creed – Recitation” is new music video and single from Actor/Entertainer Randall Franks

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Appalachian actor/entertainer Randall Franks, Crimson Records and Peach Picked Productions announce the release of a new patriotic recitation single and music video “The American’s Creed – Recitation“ from the award-winning performer. Written by William Tyler Page with music by Randall Franks and Wesley Crider, the creed was adopted by the United States Congress in 1918 as a statement of belief in America that would in time stand beside the National Anthem and the Pledge of Allegiance.

Randall Franks and Wesley Crider from the documentary film “The Making of ‘The American’s Creed’.”

 

Franks’s performance is taken from his new film and documentary “The American’s Creed” and “The Making of ‘The American’s Creed’” and the brand new official music video includes scenes taken from the films directed by Franks.

Randall’s recitation is now available to radio programmers via AirPlay Direct and on streaming services such as Itunes and Amazon and upon its availability rose to #5 in the AirPlay Direct Global Americana Singles Chart.
Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” found a viral success in 2019 with his recitation “What About All These American Flags?” from his #1 APD Global Americana Album from the Share America Foundation charity album “Americana Youth of Southern Appalachia.”
Crider is a world-renowned finger-style guitarist, known widely in gospel music, who combines the styles of Merle Travis, Chet Atkins, Jerry Reed and others on his Wallace guitar to create an innovative, yet original style, Franks said.
“I was excited that he agreed to join me in adding to the feel of the films and this single,” he said. “He also made a cameo in the films which are set to be released in early 2025 in time for the American Revolution 250th.”
“I hope folks will also connect with these uplifting and encouraging words and also the music Wesley and I play behind it,” Franks said. “Perhaps from hearing it, they may be inspired to serve our country, state or community.”
Franks, who reduced his music and acting appearances to allow him to serve his local community for12years, said he sees serving the American experiment in elected or appointed office is a vital part of the vision our founders had for our success.
“They envisioned our best people taking time away from their vocations to serve their neighbors, acting in the best interest of all for some years and then returning back to their lives,” he said. “I was greatly honored to be there for my neighbors and to make a difference for generations to come in my hometown.”
Franks said his late parents instilled that service within him. It may also be passed down in his genes. According to Franks, his family tree includes 17 known grandfathers who fought on the side of the American patriots. Among his extended family are 48 of the 56 signers of the Declaration of Independence including its author Thomas Jefferson.
“I sometimes jokingly say my family all got together in 1776 and formed their own country,” he said.
In “The American’s Creed” he portrays a fictitious version of his own patriot ancestor “Robert Shields” who fought in the revolution and in this case, Franks also directs it and its companion documentary that are making the rounds in film festivals around the globe becoming a finalist or award winner in several.
His latest album also includes other music from “The American’s Creed;” live appearances from his Hollywood Hillbilly Jamboree; 40th Anniversary recordings of Randall appearing with Bill Monroe and the Blue Grass Boys – Wayne Lewis, Blake Williams and the late Tater Tate; and his comedy tribute to Andy Griffith – “What It Was, Was Football.” Funds raised from the Monroe recordings benefit the Share America Foundation, Inc. and its Pearl and Floyd Franks Appalachian music scholarships. Later in October. Franks will launched a new web page highlighting the 40thAnniversary of his first appearance for the Grand Ole Opry this month.

The Single – “The American’s Creed – Recitation”

“The American’s Creed – Recitation” is the latest single release from Randall Franks and focusing on the patriotic writings of his kinsman William Tyler Page.
Franks wrote a short film and a documentary to share initially around the world in film festivals and then for public release. He enlisted world-renowned finger-style guitarist Wesley Crider to enhance his fiddling.
“This is the first element of the American trilogy with ‘The Star Spangled Banner’ and ‘The Pledge of Allegiance’,” Franks said. “These words reflect why we believe in being an American. When William Tyler Page wrote these and Congress adopted them in 1918, I think those involved knew that we would need to be reminded of these thoughts again and again in future years.”
Franks said he hopes his radio friends will share the recitation as a regular reminder of the importance of what we believe as Americans. The recitation inspired the release of his #7 AirPlay Direct Global Americana Album “The American’s Creed.”
“The American’s Creed – Recitation” is now available from Crimson Records for radio programmers via AirPlay Director by requesting a direct download here. It is also available on popular digital streaming platforms such as Amazon here or Itunes here, or the Peach Picked Productions video can be seen on Randall Franks TV on Rumble (https://rumble.com/v5hqelo-the-americans-creed-recitation-randall-franks.html), YouTube (https://youtu.be/h8XPP00Fdiw), and Brighteon. For information, visit RandallFranks.com .

The American’s Creed – Recitation – Randall Franks  Single: (1:26) Video: (2:15)

Songwriter: Randall Franks, Wesley Crider and William Tyler Page

Publisher and PRO: Peach Picked Publishing/BMI & ASCAP

Radio may also email e.m.c.2publicity@gmail.com for a mp3. 

Trivia:

In “The American’s Creed” Randall Franks portrays a patriot who musters militia to fight for his cousin General George

Washington. Does the actor have a real-life relationship to Washington?

Yes, Randall and President George Washingtonare fourth cousins through Randall’s maternal line.

They share grandparents – Lawrence and Margaret Washington.

Sources: Franks and Related Lines Genealogies – Family Search and Ancestry 


About Randall Franks
Randall Franks is a former NBC and CBS actor; an award-winning author of 11 books with his latest being “Seeing Faith: A Devotional” and a murder mystery “A Badge or an Old Guitar;” a journalist and a syndicated columnist who inspires millions of readers in the South and Midwest each week.
The International Bluegrass Hall of Fame Legend and Grand Ole Opry guest star marks his 40th Anniversary of debuting for the show this October.
He is an Independent Country Music, America’s Old Time Country Music, Atlanta Country Music and Tri-State Gospel Music halls of fame member and a Georgia Music Hall of Fame honoree with a long list of awards in multiple music genres. Through his Share America Foundation, he inspires youth to learn and share the music of Appalachia.
Georgia honored him for his service and philanthropy to the people of Georgia for helping raise millions to assist those in need. He starred and co-starred in four TV series and in 18 films for Hallmark, CBS and UpTV. He shared in numerous acting awards including for his latest films “The Cricket’s Dance” and “The American’s Creed.”
He is a 2024 Inspirational Vocalist and Musician of the Year nominee and his song “God’s Children” went to #1 on the Cashbox charts in 2023. He currently hosts the music-fueled TV show “Appalachian Sounds.”
To TV fans, he is known best as “Officer Randy Goode” from the drama “In the Heat of the Night.” More information may be found at www.RandallFranks.com.

American music brings smiles

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When the sounds of Southern gospel music fill Pigeon Forge, Tenn., it must be time for the National Quartet Convention.

The LeConte Center hosts the annual event each September providing an opportunity for fans of all ages to hear and meet their very favorite traveling gospel singers since 1957.

I was able to attend this year and enjoy some of the most talented stars and up and coming performers on the main stage and on showcases at the event.

Jeff & Sheri Easter, the Troy Burns Family, the Inspirations, Jeff Tolbert and Primitive Road, the Kingsmen, the Down East Boys, the Dixie Echoes, the Perrys, Gold City and many others that play a part in Bill Gaither’s Homecoming Friends kept the attendees smiling, laughing, tapping their toes and praising the Lord for show after show.

Radio and television personalities catch them for special interviews and they spend hours around their merchandise tables talking with friends.

The Singing News Fan Awards – seeing groups such as the Inspirations sweep many categories, Ray Dean Reese honored for Lifetime Achievement and Karen Peck Gooch as Favorite Soprano and the Southern Gospel Music Hall of Fame inductions honoring Herb Henry, Mike Holcomb, Kelly Nelon Clark and Jeff Stice are major highlights of the week.

I remember the earliest conventions I attended in Nashville, then Louisville and now Pigeon Forge. The genre still allows for the personal touch between the music stars and the fans, much as it has been done throughout its history. Don’t miss your chance to be part of the tradition in 2025, visit https://www.natqc.com/ to watch for future events.

Another destination of my recent travels was to participate in the IBMA World of Bluegrass in Raleigh, N.C. where I was enthusiastically impressed with the large number of youth I found smiling and jamming in corners around the convention center between special conference events, concerts, the annual awards and exhibition hall where current performers share their latest and talk with fans. I was honored to direct segments of the award show this year working with my talented hosts Mike Compton and Joe Newberry. Compton’s work is well known for his many associations in numerous genres and for the hit film and recording “O Brother, Where Art Thou?”

The annual IBMA Awards saw the Del McCoury Band win Entertainer of the Year; Deanie Richardson as Fiddle Player of the Year; Album of the Year by Molly Tuttle and Golden Highway; Vocal Group of the Year is Authentic Unlimited; among other award winners and Laurie Lewis received a Distinguished Achievement Award; Wyatt Ellis received the Momentum Instrumentalist of the Year and Dobroist Jerry Douglas, banjo player Alan Munde and Radio Host Katy Daley were inductees into the Bluegrass Hall of Fame. For 2025, the IBMA World of Bluegrass will move to Chattanooga, Tenn. Watch www.IBMA.org for future news.

On the heels of both these amazing events, many of the musical participants and attendees returned to their homes across the Appalachians and the South finding devastation in their communities brought on my Hurricane Helene. I encourage any of you reading these words to seek out local organizations across Western North Carolina, East Tennessee, South Carolina, Georgia and Florida in the affected areas. Send monies to those that are closest to the victims that can make the greatest difference in the recoveries and eventually rebuilding of these communities. I pray for all affected. I fear the story to be told in the future will be one of greatest loss and sadness seen across these regions since the Civil War. That sadness will likely be recorded as not only from the impact of the storm but also from the lack of early response from authorities and others outside the region after the fact.

Strings, wood, tension and connections

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When I first held a violin in my hands, I was amazed by the shiny wood. How the strings connected to the tailpiece and the pegs running across the bridge and the fingerboard with a tension creating a vibration when plucked or bowed to create a sound.

When I opened the back of my piano, I was also fascinated by the intricate workings of the internal mechanisms which prompted the internal hammers to hit the strings and make the sounds when fingers hit the keys.

In both of these cases and most every other instrument that ever touched my hands, the similar nature of the creations used the tension of a tightened string to precipitate the opportunity of a musical sound to be created. That tension has lined the foot path upon which my shoes have traveled through my life.

The amazing miracle of that tension, has allowed me to make some amazing and not so amazing sounds with my fingers.

Those sounds have brought so many unique individuals into my life. Stars who we all know by name, some we once knew but are now fading as the new generations of stars fill people’s ears. Musicians who have created sounds that warm our hearts, spark our memories and uplift our thoughts, have stood within a few feet of me sharing their gifts beside me or me with them.

I could have never thought that possible when I first picked up that ¾ size violin and tucked it under my chin, picked up the bow and scratched a sound that could peel paint out of it.

That tension, those strings and the wood which as craftsman brought together, has given me an opportunity to chase my dreams of standing on stage and sharing what is within my heart and head.

It has made me friends, who similarly hold an instrument and entertain. The strings, the wood, the tension, the miles traveled and the long, long talks to fill that travel make brothers and sisters that will never leave you or forsake you.

They are there in sickness, in happiness, and in sorrow. It may be a helping hand, a performance, a call or so much more, but my music family is such a gift in my life. Sometimes, we may not see one another in years, but we can pick our conversation up where we left off. If we play together, we can once again find our groove usually pretty quickly. It’s actually almost second nature to us.

I could fill this column with dropped celebrity and star names who God brought into my life, but that’s not the focus of what I am sharing with you. If you are really interested, check out the bios on my website or Wikipedia.

My point here is in the case of musicians, unlike most folks, tension is a good thing, and how we connect with other like-talented folks. If I had not found that tension, my life would have been much poorer in the spirit and gifts of other folks. They have uplifted my walk down that foot path of life.

If you have the desire to play, it’s never too late, or perhaps you have a youth with those aspirations. Encourage their desires by leading them into and instrument that they can play throughout their lives and enjoy alone or with a small group of musicians.

The tension has been a bridge to a life I could never imagine. It might do the same for you or yours.

David Davis, a bluegrass mandolin stilled

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The rained poured down on the fairgrounds at the Cedartown Georgia fairgrounds. It was the site of a new bluegrass festival including many talented acts. I was there with my youth group, the Peachtree Pickers. We were dodging mud puddles from the rain that had already come in to get to the stage.

When another storm front came through, my father and I sought refuge in a cattle barn on the grounds. Inside, we found David Davis of the Warrior River Boys (www.DavidDavisandWRB.com) and his father also dodging the bad weather. They were also on the bill that day.
This deluge created an opportunity for us to meet and talk. That day began a four-decade long friendship that led David and I into an unusual musical creative partnership.

As we both plotted the course for our future careers in Bluegrass and beyond, we saw the opportunity to be cheerleaders, counselors, and sounding boards for ideas and opportunities as they came to us. Our talents and our styles were different, so we didn’t see each other as competing for the same ground and jobs, however we believed in each of our strengths we could compliment what was ahead.

Doors opened for both of us as David landed on Rounder Records and created critically acclaimed albums and a widening festival audiences with his Monroe-infused Appalachian roots sounds.
I shifted to guest starring for the Grand Ole Opry and crossed over to acting in network TV reaching large country music audiences.

Whenever David needed a musician, all he had to do was call and went to help. When I began mounting my country variety shows – The Hollywood Hillbilly Jamboree, I asked David to join me and provide the bluegrass portion and do some songs with me as I moved from country, to bluegrass, to gospel on my shows.

He moved along to Wango and Rebel Records and even had some Time-Life recordings as the years ticked off before returning again to Rounder.

As I was focusing more closely on my Appalachian roots, I asked David to record a brother-duet album with me called “God’s Children.” He didn’t hesitate and we created some eclectic sounds with pioneers “Doc” Tommy Scott, Cotton and Jane Carrier, and my television friend Sonny Shroyer “Enos” from “The Dukes of Hazzard” as special guests.

Through much of what we considered the ups and downs of the music industry, we held on, grew, learned, and tried to remain relevant, reinventing and creating opportunities to leave a mark. There was not much that either of us did in the music business, that the other didn’t chime in his thoughts.

I know these memories are probably not of much interest, but I received the sad news before writing today that my friend David died due to injuries sustained in an auto accident Sept. 15 in his home state of Alabama. His wife Cindy was injured but is recovering.

The news has rocked the worldwide Americana and bluegrass music community as he was widely respected and admired. He had also become a mentor to many talented young artists now finding their place in the larger music scene such as Wyatt Ellis, The Price Sisters, Jeremy and Corrina Rose Logston Stephens of High Fidelity, Kody Norris of the Kody Norris Show and RFD-TV star Alan Sibley and so many more.

I helped his family prepare a press release about the Alabama Bluegrass Music and National Old Time Country Music Hall of Famer’s amazing life and his extensive musical catalog that has touched millions through performances, television and radio.

We will soon gather in Cullman, Ala. to remember and celebrate the life of a true Southern gentleman whose mandolin playing and vocal stylings have touched two generations of music fans.

I hope you will celebrate his talents by finding his music, download or buy an album, or listen on YouTube and share it with friends. You may also donate to support Appalachian music scholarships in memory of David Davis at www.ShareAmericaFoundation.org or by sending to Share America Foundation, P.O. Box 42, Tunnel Hill, Ga. 30755. Rest in peace David. You are missed.

Grass, water and people – reconnect with the world

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I walked across the back yard in my bare feet. I do this from time to time as it reminds me the sensation I recall from childhood, the grass wrapping its way around the curves in my feet.

Touching the ground provides a connection to God’s blessed creation. I don’t think we ever get to old to remember the sensation.

It was much the same the first time I waded out into the lake as a child. Feeling the water all around me. I knew no timidness as a youth. You don’t worry about what is lurking beneath the water. Just that the cold water makes you feel better. However, for me as time went along, that desire evaporated from within my thoughts. I really don’t care for swimming or wading in lakes these days.

Since my earliest days I was fascinated by hiking through the mountains. The trees, the wildlife, and sometimes simply finding a rock sitting down and staring out across a unique vista I had not seen.

It’s in such moments of peace that I have found the inspiration to write. The words can create songs, lessons, ideas for films or books.

God’s gifts seem to flow when He blesses. Yet, sometimes there seems to be a block. At those times, more of His gifts must simply come into view.

Those gifts can also take the form of other people.

One of my favorite times of year was Christmas as a youth. A place I loved to be, now unfortunately pretty much a thing of the past was the shopping mall. It was a joy to find a quiet corner and simply watch folks as they enjoyed their time together shopping. The kids filled with the joy of the season. The mothers and fathers a bit hurried and out of sorts as they tick off things from their to do list.

From these moments, I could also see God’s gifts.

When we touch the earth with our hands as we plant within the garden, when we take the time to run our hand across someone’s pet, we are connecting to the creation.

Nothing we can do in life can move the spirit within us like God’s ability to uplift us with His amazing creations which sometimes we don’t take the time to recognize.

Spend some of your time reconnecting with the earth and the people around you and you might find a new muse that could inspire your life.

Take down the fiddle and bow

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I was sitting on the linoleum floor looking up at the fiddlers as they sat around in the den of the Everett’s house playing tune after tune. Musicians flow in and out and spectating listeners line the seats around the walls. I was pre-teen and trying to pick up licks they were doing as I watched their fingers move and the their bows go up and down.

Unlike my youth learning experience, today, youth doing the same have the amazing ability to simply take their phone and find a video of a fiddler playing the tune they want. But there is nothing like being in a room hearing and seeing another fiddler play.

That is what many of the youth who competed at the 53rd Grand Master Fiddler Championship had the chance to do as many of the greatest fiddle competitors gathered outside Nashville at the Turner Theater in Franklin as the contest took place Labor Day weekend.

I walked down the hallway between the stage and the warm-up rooms and youthful fiddlers leaned against the walls watching the older competitors warming up with their accompanists getting ready to walk on stage and be judged for America’s top Grand Master Fiddler.

I was blessed to return to serve as celebrity host, a role I been honored to conduct since 2007. I was a teen the first time I came to this contest brought by my childhood mentor Eugene Akers getting to see the great fiddlers.

As I looked in the eyes of the youth while walking down the hallway, I could see their excitement. In their anticipation, I knew their fears as they waited for their chance to convince the judges they had improved in their efforts.

Many of the former youth are now competing in the adult open category. Seeing the young adults excelling is such a blessing.

When I was starting out the youthful fiddlers who were ahead and plowing the way for us kids were Mark O’Connor, Jimmy Mattingly, the late Randy Howard and others. This year’s event was special in that Mark was there sharing a special hour of music with his wife Maggie. Jimmy was there being honored with the Dr. Perry F. Harris Award. Another early competitor Monte Gaylord of Oklahoma came back and competed after many years, shining in his performance.

This year’s event was squeezed into one day, filled with about 40 fiddlers sharing a breakdown, a waltz and a tune of choice. Two Canadians and one fiddler from the Netherlands also tried their luck. One that seemed to be a favorite this year was Kenny Baker’s “Festival Waltz” as fiddlers of all ages shared it. Another often played tune was “Don’t Let Your Deal Go Down.” A tune I played as a Blue Grass Boy with Bill Monroe – “Road to Columbus” also seemed to be more prevalent this year.

From my vantage point at the podium, I will have to say, there were more existing Grand Master Fiddlers competing against each other or simply present at this event than I ever recall in my years of participating. The audience certainly heard the best of the best.

The 2024 Grand Master Fiddler of the open category is Ridge Roberts of Granbury, Texas, and in the youth category is Tristan Paskvan of Southlake, Texas. Todd Varble won the accompanist award. Marty Elmore received the Charlie Bush Traditional Fiddler Award. Naomi Dornfeld received the Matthew Thomas Lin Scholarship Award. Learn more about the Grand Master Fiddler Championship at grandmasterfiddler.com or follow them on Facebook.

Actor/entertainer Randall Franks releases new single as tribute to Andy Griffith

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Appalachian humorist Randall Franks and Crimson Records are pleased to announce the release of a new comedy performance from the award-winning performer: “What It Was, Was Football.“
Support Our Efforts – Download Recording Please:
Itunes: https://music.apple.com/us/album/the-americans-creed/1743671704
Amazon Music: https://www.amazon.com/dp/B0D2WGJ1Y5/
Radio programmers via AirPlay Direct https://airplaydirect.com/music/RandallFranksTheAmericansCreed/
Written by Andy Griffith, the monologue is the story of a Southern Christian revival worker setting up a revival tent who stops to grab a bite to eat but is swept up in the fervor of a crowd of folks headed on a wondrous adventure to watch something that he never had seen before. He then describes what he saw.
Randall’s version of the classic comedy story is now available to radio programmers via AirPlay Direct and on streaming services. For nearly thirty years, Randall Franks, “Officer Randy Goode” from TV’s “In the Heat of the Night,” has consistently included Appalachian humor in his performances. The late Appalachian scholar Loyal Jones recognized him as a unique voice in Southern humor in his book “Country Music Humorists and Comedians” reflected through his shows and comedy releases such as “Tunes and Tales from Tunnel Hill” (1995), “Comedy Down Home” (1999), and “Keep ‘Em Smilin’” (2016). His comedy recordings and his comedic acting performances on TV and in films are among the most beloved by his audience.
“Like many, one of the people who greatly inspired my career is the late Andy Griffith,” Franks said. “He did what many young Southern performers hope to do in combining acting, comedy and music into a decades-long career while creating several long-lasting TV series.”
Franks attributed “The Andy Griffith Show” as being one of the reasons he became a musical entertainer with its features of the Dillards as “The Darlings.”
“I included Andy and the Dillards in my “Encouragers” book series sharing the impact he and they had on my life and career,” he said.
His new album also includes music from his film “The American’s Creed,” live appearances from his Hollywood Hillbilly Jamboree and 40th Anniversary recordings of Randall appearing live with Bill Monroe and the Blue Grass Boys – Wayne Lewis, Blake Williams and the late Tater Tate. Franks recently launched a new web page highlighting his time with the legendary music icon at www.RandallFranks.com/Bill-Monroe-and-the-Blue-Grass-Boys . Funds raised from these recordings benefit the Share America Foundation, Inc. and its Pearl and Floyd Franks Appalachian music scholarships.
                                                                                                                              __________________________________
The Single – What It Was, Was Football

“What It Was, Was Football” is Randall’s latest single release and is a tribute to the classic TV actor and comedian Andy Griffith who released it 70 years ago charting in Billboard’s Top 10 in February 1954. “There was probably not another person who had a greater impact in most Southern homes than Andy,” Franks said.
As a special addition to his #7 AirPlay Direct Global Americana Album “The American’s Creed,” the multiple music hall of famer recorded Griffith’s career beginning monologue “What It Was, Was Football.”
“Using my own comedy style, I have re-created what I felt was magical about his amazing hit,” he said. “It is available for all radio stations just in time for high school and college football seasons. I hope that radio around the country might give it a spin recognizing the 70th Anniversary and my paying tribute to this great performer.”
To the classic monologue, he added hints of his unique fiddle stylings including support from Gospel and Bluegrass music personalities: Mark Wheeler on guitar; Lewis Phillips on banjo; Steve Easter on resonator guitar; Jeff Easter on piano; Travis Lewis on acoustic bass; and the late Grand Ole Opry star Jesse McReynolds on mandolin.

Randall Franks pauses with Artist Colton Brown who created the artwork for the What It Was, Was Football video.

“What It Was, Was Football” is now available from Crimson Records for radio programmers via AirPlay Direct or by requesting a direct download here. It is also available on popular digital streaming platforms such as Amazon here or Itunes here, or can be seen featuring a unique artwork by Colton Brown on Randall Franks TV on YouTube (https://youtu.be/VxFDUQP_n1M), Rumble (https://rumble.com/v5e30dh-what-it-was-was-football-randall-franks.html), and Brighteon (https://www.brighteon.com/deaaf5e3-efc1-43c1-8357-74335bf81f39). 

 

                                                                                                                              __________________________________

 
Trivia: 

Are the two actors Randall Franks and Andy Griffith who played notable comedic Southern police officers related?

Yes, Randall and Andy are quadruple country cousins as they share at least four sets of grandparents in their family trees being related to each other through each of Andy’s grandparents – the Griffiths, Taylors, Nunns and Cassells and both of Randall’s parents.

Sources: Franks and Related Lines Genealogies – FamilySearch and Ancestry 

                                                                                                                              __________________________________


About Randall Franks
Randall Franks is a former NBC and CBS actor; an award-winning author of 11 books with his latest being “Seeing Faith: A Devotional” and a murder mystery “A Badge or an Old Guitar;” a journalist and a syndicated columnist who inspires millions of readers in the South and Midwest each week.
The International Bluegrass Hall of Fame Legend and Grand Ole Opry guest star marks his 40th Anniversary of debuting for the show this October.
He is an Independent Country Music, America’s Old Time Country Music, Atlanta Country Music and Tri-State Gospel Music halls of fame member and a Georgia Music Hall of Fame honoree with a long list of awards in multiple music genres. Through his Share America Foundation, he inspires youth to learn and share the music of Appalachia.
Georgia honored him for his service and philanthropy to the people of Georgia for helping raise millions to assist those in need. He starred and co-starred in four TV series and in 18 films for Hallmark, CBS and UpTV. He shared in numerous acting awards including for his latest films “The Cricket’s Dance” and “The American’s Creed.” 
He is a 2024 Inspirational Vocalist and Musician of the Year nominee and his song “God’s Children” went to #1 on the Cashbox charts in 2023. He currently hosts the music-fueled TV show “Appalachian Sounds.”
To TV fans, he is known best as “Officer Randy Goode” from the drama “In the Heat of the Night.” 

A harvest of hope to sustain us

/in /by

As the men folks worked endless hours to bring the harvest home, the women folk prepared the fires and the iron kettles for cooking in preparation for canning what was brought in on the wagons from the fields.

While much of what was gathered was taken to town to sale, enough was stowed by for the host family and all the neighbors’ families helping with the harvest and the canning.

When this crop was laid by, the men would move on to the neighbor’s farm and the women folk to the neighbors yard and kitchen and do it all again with another vegetable crop.

Tomatoes on one farm, corn on another, okra another, beets on another, and when the vegetables were all in, root crops, fruits stowed away, it would be near time for the hogs to be prepared for the smoke house.

Growing and putting back was a constant day-to-day circle of life in the valley below the Gravelly Spur.

All took it in stride and as each season turned and the tasks rotated around the circle of the sun and moon as they shined their light down in the Appalachian valley.

The work would break for church meetings on Sunday, community socials, and an occasional music gathering. When the harvest work was done, the musicians in the valley would gather bringing their guitars, banjos, fiddles and anything that could keep a rhythm to the center of community.

They would stand and play on the porch as the folks gathered in the dirt lane. Old Benson Wills would stand up on an apple box and call the dance.

It was in these moments the young men and women who were not yet spoken for began to smile upon one another even if it was only for the brief swings within do-Si-do.

But the happiness of the passings within the dance often sustained their hearts for days and weeks as the toiling of each day returned their routines, the life, the hardships and the happiness that on occasion brought the ends of their mouths to upturn.

Stoicism was the norm, the happiness was reflected in the hearts rather than their faces oftentimes. It was sometimes difficult to tell the difference between sadness and happiness in many, but anger could easily be distinguished because that usually brought a raised voice and raised hands formed in a fist. \

Thankfulness was visible also, it could take the form of an outreached hand to shake, a bowed head in prayer, or returned unexpected kindness.

When work was done each week, the families gathered to give the Lord thanks in the chapel, sing songs, and hear the scriptures.

It was these times and the music gatherings that eased the in between.

When we look at our own lives in this ever spinning modern world, may we find the comfort that sustained our ancestors in the much harder lives that they lived.

Will AI create a semblance of what was in what will be?

/in /by

Many of us are hearing more and more about Artificial Intelligence and the impact that could have on our lives in the future.

You are likely aware that many of the entertainment unions have held strikes in the last year. AI was a major aspect of the items being negotiated in the new contracts they were trying to establish with producers.

AI is becoming a major player in creating visual, voice, writing, and likely many other aspects and trade jobs will be affected by the advances of what this new technology.

As artificial intelligence continues to advance at a breakneck pace, the film and television industry stands on the cusp of a technological revolution. From script writing to visual effects, AI is poised to transform nearly every aspect of production, promising increased efficiency and new creative possibilities. But this sea change also raises concerns about job displacement and the very nature of artistic creation.

One of the most immediate impacts of AI is likely to be in the realm of pre-production and script writing. AI-powered tools can analyze successful scripts, identifying patterns in structure, dialogue, and pacing. This technology could assist writers in developing more engaging narratives or even generate entire script drafts. While this may streamline the writing process, it also raises questions about originality and the role of human creativity.

As a writer, I could go to an AI generator and pose a query – “Write me a 20-inch newspaper column about the future impact of AI on film and television.” I would not have to spend the time of putting this together these words from my gray matter. My fingers would not have the joy of feeling the keys on my computer.

Perhaps most controversially, AI is making inroads into acting itself. Technology which uses machine learning to create or manipulate video and audio, could potentially resurrect deceased actors for new roles or de-age living actors for flashback scenes. This raises ethical questions about consent and the ownership of an actor’s likeness. States around the country, the U.S. Congress, and the workers unions are continuing to look at options to protect individual performers and their estates from potential uses without permission and compensation.

I understand even now as an actor, with an adequate sampling of my performances on film and of my speech patterns, my image can be created doing almost anything a producer might want.

In production, AI is set to revolutionize visual effects and animation. Machine learning algorithms can create realistic digital environments, crowds, and even entire characters, potentially reducing the need for expensive on-location shoots or large teams of animators. This could democratize high-quality visual effects, making them accessible to smaller productions and independent filmmakers.

I was visiting with a director of photography who was telling me of his work for a project totally created within an AI system, which is beyond my knowledge base but reflects the transition of more types of jobs into a box.

Post-production is another area ripe for AI disruption. Intelligent editing software could automatically assemble rough cuts based on emotional beats or narrative structure, significantly speeding up the editing process. AI could also enhance color grading, sound mixing, and other technical aspects of post-production.

AI will make creating shows more efficient and likely lower costs. Despite the challenges, proponents argue that AI will ultimately enhance rather than replace human creativity. They envision a future where AI takes over mundane tasks, freeing creatives to focus on higher-level artistic decisions.

Here is my take. I have spent a life behind the scenes in film, television and music watching the people create in those mundane aspects of what has to be done to bring all these things to fruition. Every task has its art within it.

Technology has always allowed us to forge new ways to do things and improve the process, but the human creativity of all the trades was still present and imprinted on every foot of film and inch of recording tape to move our emotions with film, TV and music.

As the industry adapts to this new technology, one thing is clear: the landscape of film and television production is set for dramatic change. How Hollywood navigates and we receive this AI revolution will shape the future of our entertainment for years to come.

Now was this me or was it Memorex? If you are old enough, hopefully that line will close us out with a smile.