Country music’s Merle Kilgore focus of new book

When my country music career was in full swing in the 1990s, I loved spending a little time in the office of a country luminary who built credentials as a performer and behind the scenes in the business – Merle Kilgore. I was honored to know and work with him and included him in my Encouragers book series.

Known widely as the manager for Hank Williams, Jr., his career intertwined with some of country’s greatest names and those branches of his experience are explored in a new book “These Are My People” (WriteLife Publishing) available for purchase now at Amazon, Barnes & Noble and local bookstores across the country.

Merle Kilgore co-wrote “Ring of Fire,” carried Hank Williams Sr.’s guitar, managed Hank Jr. for more than two decades, and was inducted into the Nashville Songwriters Hall of Fame.  Now, his grandson, Mark Rickert, gives readers an insider’s look at Merle’s larger-than-life world.

 

“We had a very close relationship,” Rickert recalls.  “I listened to his stories for hours on end, summer after summer.  He was a character and his friends were superstars.  His was a story I always believed should be told.”

 

Mark Rickert grew up in a Country music household, just a few miles from the Opryland USATheme Park and the Grand Ole Opry, and only a block from the home of Colonel Tom Parker, Elvis Presley’s manager.  Mark’s father even worked as a Nashville tour guide. But it was his grandfather, Merle Kilgore, who showed him the backstage side of the business.  Before publishing his first novel, Mark served eight years a photo-journalist for the U.S. Army Reserve, spending a year of that service in Baghdad, Iraq, writing for military publications.  In 2008, he earned a Master’s in English Literature from Middle Tennessee State University.  Today, he works as chief of public affairs for an Army recruiting battalion.

Mark has told it well; imbuing each chapter with details that only Merle or those closest to him would know. Kilgore died in 2005 and his funeral service was held at the Mother Church of Country Music: The Ryman Auditorium.

 

For Rickert, Johnny and June Carter Cash, Johnny Horton, Faron Young, Elvis, and other legends were the people who ruled the radio airwaves and populated “Daddy Merle’s” tales.  From wrecking hotel rooms with Cash to explorations into the “other side” with Horton and the often-hilarious anecdotes of his life as a disc jockey and as a performer on the Louisiana Hayride and the Grand Ole Opry, Merle lived life to the fullest.  Blazing new career paths into the industry itself, Kilgore was undeniably a critical strand in the fabric of the Country music storyline.

 

“These Are My People” offers chapter after chapter of insights into the private lives of Merle and his friends, and includes a selection of more than 20 unique black and white photos.  It is an engaging read ably presented in a unique format. Published by WriteLife, “These Are My People” is in bookstores now. It is Rickert’s second book and follows the horror novel, “The Tone Poet.” 

 

As someone who knew and respected Merle and who had the opportunity to work side by side with him, I can attest, he was larger-than-life and this book provides a unique look into his life. You will enjoy it even if you didn’t know him or his contributions.

Faces from the past and present

Have you ever sat down and looked through your photo albums or boxes of photos and not known whose face you were looking upon?

Just the other day I was looking at images from my kindergarten.

You would think I would be able to name every one of those kids; I mean it was just yesterday that we were sliding down the stair banisters at the Presbyterian Church, fighting in the church playground and arguing over who got to sit with Julie Badger, my kindergarten sweetheart.

Other than Julie, the rest of those kids’ names have just faded away. As I looked at photos of birthday party after birthday party, I saw so many classmates I could not even begin to remember.

You would think I could easily remember when, while blindfolded, I accidentally pinned the tale on the wrong donkey.

I never liked Jamie much anyway. He was only invited because of diplomacy. If I left him out, then I wouldn’t get invited to his house. There would have been a crushing domino effect which could have set my second grade social life on its ear.

I often sit and peruse photo albums that feature faces of people who I do not know. The photo had or has some significance to my mother, late father, or late grandparents or another relative, so it found its way into the family collection.

In my room hangs the portrait of a great, great, great grandfather that meant much to my grandmother.

I will say it was not a favorite of my mother’s, as she saw this stern man whose eyes almost follow you as you enter the room. It reminded her of the haunted house paintings that scared Don Knotts and Jim Nabors to death on “The Andy Griffith Show.”

It took me years of coaxing to finally get grandma to part with it and let me be its caretaker. The same is true of so many other images I have gathered through the years.

I recently forwarded a photo from the collection of my grandmother Allie Bunch Franks to a distant cousin via e-mail.

I was hoping it may be one of her ancestors. All the information I had was that it was my grandmother’s cousin Dave Bunch, who had an affinity for building different creations inside bottles. Three were featured in the postcard. Grandma even had one that sat upon the mantle.

I always remember marveling at how he could have gotten his creation inside that bottle when I peered in it as a child. I thought he must have had very small fingers to reach up in there and do that.

Beside him in the photo were two girls, one younger than the other, and unfortunately paint had covered the older girl’s face years ago.

From my cousin’s review, she made the educated guess that due to clothing styles, it was likely her great uncle rather than her great grandfather who shares the same name.

It is amazing how we can easily forget the names of those kids who were at our birthday parties or the cousin we seldom see. It is so important to take the time to mark your photos in pencil not pen as to the details of who, what, when, and where.

Through the 60s and 70s, many film developers were kind enough to put the date of development on the photo, which helps. I think many of those new developing machines may include that info in the code it leaves on the back of the image.

As I look at the fading images, it is amazing to me how older images from the 30s, 40s and 50s endure literally unchanged while those of the 60s, 70s, 80s and even 90s are already fading into obscurity.

It is hard to imagine birthdays and Christmases simply gone because of poor film or film development, but that is much like our memories, they will likely fade with time as well.

I encourage those of you who have moved into the computer era, to scan your photos from every era into a computer database and then have several backups. Generally, you can include information about the photo right in the file in many programs. Make several CDs of the completed photo files and disperse them to your children, grandchildren. Put a copy in your safety deposit box.

Many even take the time to create little photo documentaries of the family history and their lives. Sit down and share these with your young grandchildren at the computer.

The main reason is to disperse the copies to make sure that many people have them in their collections in case of a natural disaster or fire. Then you might have a better chance of rebuilding your family photos.

When you consider all the time and money we spend on photos, you would think we would take the time to document the events that surround them.

Whenever I go into Cracker Barrel, I look up at the large portraits hanging on the walls and wonder if only someone had taken the time to write down a little about that person and put it with the portrait if they would now be staring out at thousands of Cracker Barrel customers or on the wall of a relative who knew they had an important life.

Like a newspaper documents the story of a community through its coverage, a well-kept photo collection documents the story of your family’s life. Will your teenage children or grandchildren care you took the time to do this? Probably not until they have children of their own, but who knows, the effort may prove beneficial to each of us as we look back later and get the benefit of knowing who is staring back at us.

I am still wondering who that blonde kid with the flattop, big ears, with my birthday cake on his nose is, oh wait, that’s me.

Is 24-hour news and information good for the American experiment?

As a former newspaper journalist, who covered government, I am perplexed and baffled by the last few weeks as we have watched the American media and the American president debate the place of the press in our joint endeavor of our American experience.

For those who take the time to study history, the relationship between our press and the elected leaders have always been that of a give and take, back and forth, love and hate. Presidents from the earliest days of our nation have expressed their concerns about media coverage they have felt to be detrimental to the relationship and the experiment.

That is in essence what it was, up until current day, a relationship between the doers and those who were tasked with watching the doers to make sure they were on the straight and narrow path.

Now, that relationship is not as necessary, the media gatekeepers have been usurped by the advent of the internet and social media, allowing leaders to carry their unedited message straight to the people. At a time when the normal news delivery platforms are struggling, this adds even more tension for media to fight to stay relevant.

I think the constitutional charge for the press by the founders is to seek out and expose excesses which break the laws of our great nation, our states, our communities.

That was why our founders gave us freedom of the press, so that leaders may be held accountable to the people. I think that is the badge of honor that anyone who has carried a press card in their pocket wears.

Unfortunately, in this world of 24-hour news brought on by cable and now the internet, sometimes, it looks like the need to feed the beast in that open drain, outweighs good journalism. Also, there are many now credited with being journalists, who are not.

Probably, my standards are different than some of my former colleagues but I have never believed in use of anonymous sources. If they won’t go on the record and stand behind what they are saying under the light of day, then I question their ultimate motives. Also, every effort must be made to have both sides revealed in the story before it is taken to the people, so that the news recipient can decide the truth for themselves. There is nothing I hated more than writing the words: “After repeated attempts, …. was unavailable for comment” or something similar. Sometimes though that is what you had to go with when someone simply did not want to provide a “No comment.”

Today, often “expert” opinions are provided as facts for a story. Cable news brings on a panel of paid or unpaid talking heads, generally with a majority on one side of the issue and one on the other to provide an entertaining forum on whatever story premise they are putting forward. It doesn’t matter whether the story has any legs to stand on, just whether it will make a good debate for a television segment. I may be mistaken, but that is why I think there is such a bad taste in the mouths of the American people in relation to their respect of what journalists do. I think news for entertainment brought on by the need to fill endless broadcast hours started putting the nails in the news media coffin years ago.

Do I consider journalists the enemy of the American people? No, but sometimes I consider us our own worst enemies. I have lived through the media coverage of more presidents than I care to count, I have never seen the level of media animosity and focus on negative stories tied to a president expressed in the first 30 days of a presidency. I have seen headlines and reports that have no relevance to anything President Donald Trump has said or done while in office but yet the president has been connected in some way. That is simply stretching it a bit folks. I don’t blame him for his response, in his shoes, I might have considered doing something similar. I am reminded of the story of the boy that cried “wolf,” when something comes up and we really need the American people to listen, will they? At this point, I doubt it. They are tuning out by the millions.

In answer to my opening question, is 24-hour news good for the American experiment. In my humble opinion, no, it is not. Providing the news that keeps our democracy strong takes time and often feeding the media beast results in sloppy reporting to meet a deadline. Will our experiment continue? Yes. Will the role of the press continue to lessen? I hope not, but the current course doesn’t look good.

50 years of Dolly

Dolly Parton released her first full-length album, “Hello, I’m Dolly” on Feb. 12, 1967. The album, which debuted on Monument Records, contained Parton’s hits “Dumb Blonde” (written by Curly Putman) and “Something Fishy” (written by Parton). Both singles reached the top twenty on the country singles charts, and the album itself reached #11 on the country albums chart.

“I can’t believe it’s been 50 years since I did my first album,” Parton said. “What a wonderful 50 years it has been. Thanks to my Uncle Bill Owens and Fred Foster for believing in me early on. And thanks to all the fans out there…I hope to have at least another 50 years!”

Produced by Fred Foster, “Hello, I’m Dolly” caught the attention of Porter Wagoner, who ultimately invited Parton to become a member of his band and appear on his popular weekly television show. These appearances led to Parton’s rise to superstardom and she became a bonafide household name.

The album contained Parton’s versions of three songs she wrote that had already been hits for other artists: “Put it Off Until Tomorrow” (Bill Phillips), “Fuel to the Flame” (Skeeter Davis), and “I’m in No Condition” which charted by Hank Williams Jr.

Now, in 2017, her collaboration with Pentatonix on “Jolene,” was awarded a Grammy in the Country Duo/Group Performance category, marking her eighth win. The Recording Academy inducted Parton’s self-penned hit JOLENE into the Grammy Hall of Fame.

“Oh my Lord I am so excited to have won the Grammy with Pentatonix on my old song Jolene,” she said. “I am so happy and am so very proud of Pentatonix. The song is one of my favorites. Thanks to the Grammys, but most importantly thanks to all the fans. I love you all.”

The award-winning collaboration between Pentatonix and Parton happened through a partnership with Cracker Barrel Old Country Store, which has enjoyed success with both acts in the past with exclusive editions of albums from each. In Parton’s case, the partnership stretches back to her 2009 “Backwoods Barbie Collector’s Edition” project, which was followed by the release of “An Evening With…Dolly” and became the first Gold album-ever certified by the RIAA for Cracker Barrel Music. That relationship has continued with her latest Dolly Records / RCA Records release Pure & Simple. Released in the summer of 2016, the album – which netted Dolly her first chart-topping album since 1991 – was released in a deluxe Cracker Barrel-exclusive edition that featured live performances of her classic hits “9 To 5” and “Jolene” from the Glastonbury Festival, along with a 48-page ZinePak magazine filled with photos and interviews highlighting memorable stories from Parton. The collaboration is not part of any of the packages.

“Cracker Barrel is thrilled to have brought these two extraordinary talents together, Dolly Parton and Pentatonix, as part of our Spotlight Music Program for the exclusive collaboration of “Jolene.” We share in the celebration of their GRAMMY Award win as they are both a special part of the Cracker Barrel family,” said Don Hoffman, VP of Marketing at Cracker Barrel.

CTK Management CEO Danny Nozell said, “The collaborative video produced by Cracker Barrel between Pentatonix and Dolly has been viewed over 22 million times and has now won a Grammy. Dolly proves, once again, that she is making music that the fans will respond to.”

Parton’s 2016’s Pure & Simple North American Tour was the highest grossing tour of her career, performing over 60 shows.

To learn more about this American icon, visit www.DollyParton.com. To purchase a download of Jolene, visit Amazon at smarturl.it/PTXJoleneAmz.

New music from Dailey & Vincent and Kiefer Sutherland takes to the road

Actor/entertainer Kiefer Sutherland, star of TV’s “Designated Survivor” is getting back on the road this year to play in more than 20 cities.

Momentum continues for Kiefer Sutherland’s music career and debut album, DOWN IN A HOLE, which includes 11 co-written tracks by Sutherland and producer Jude Cole.

Recently, Sutherland performed “Can’t Stay Away” on “Jimmy Kimmel Live!” and “Calling Out Your Name” on “The View.”

Sutherland, known for his starring role in and Fox series “24,” also starred in movies like “Stand By Me,” “The Lost Boys,” “Young Guns,” “Flatliners,” “A Few Good Men,” “A Time to Kill,” “Dark City” “Melancholia” and most recently, a western called “Forsaken.”

Keep up with Sutherland on the road by visiting kiefersutherlandmusic.com.

Upcoming Grand Ole Opry stars Dailey & Vincent will release their eighth album, Patriots & Poets on March 31. The project features collaborations with bluegrass music’s top musicians including Steve Martin, Doyle Lawson, Bela Fleck, and David Rawlings.

The project features 16 all-new tracks that were all written or co-written by Jamie Dailey and Darrin Vincent, with a collection of energizing upbeat songs, along with slow sing-along anthems. Standout tracks on the project include the feel-good track “California” which features a very special verse by comedic and bluegrass enthusiast Steve Martin. Other highlights on the project include thought-provoking songs like, “Beautiful Scars” and “American We Love You,” all highlighting harmonies by 6-time “Male Vocalist of the Year” winner Jamie Dailey and 5-time Grammy® winner Darrin Vincent. Another feel-good moment on Patriots & Poets includes the track “Bill and Ole Elijah.”

Also, their hit RFD-TV program, “The Dailey & Vincent Show” is back with season one and season two of the popular variety series, now airing on Friday nights at 7:30pm ET, throughout all of 2017.
The IBMA award-winners were recently honored by the International Bluegrass Hall of Fame and Museum with the brand new exhibit, “A Decade of Dailey & Vincent: An American Music Journey,” which features artifacts and memorabilia from their decorated career as a duo and beyond. Fans can also catch the hit makers appearing at venues and festivals nationwide, including their annual music festival Dailey & Vincent LandFest in the Mountains, presented by Springer Mountain Farms.

For more information, visit DaileyandVincent.com.

Mac Wiseman is the focus of new star-studded music release

One of my favorite people and performers is the talented song stylist a Country Music Hall of Famer Mac Wiseman. I admire his influence on my life so much, I included him in my “Encourager II: Walking with the Masters” book.

He is the focus of a new recording project from Mountain Fever Records featuring a star-studded concept album celebrating his life and spirit.

“I Sang The Song (Life Of The Voice With A Heart)” is now available and it’s first single, “Going Back to Bristol,” featuring the International Bluegrass Music Association’s 2015 Male Vocalist of the Year Shawn Camp, reached #1 back in December.

Bluegrass Hall of Famer Mac Wiseman met with Peter Cooper and Thomm Jutz, sharing intimate details of his 91 years, and of his journey from Virginia boy to American roots music icon. That journey is the subject of I Sang The Song, the joyful and poignant album that springs from Mac’s storytelling sessions.

In liner notes, Cooper writes, “The stories would have been remarkable coming from anyone. But coming from Mac Wiseman, an acknowledged master of American roots music who earned the nickname ‘The Voice with a Heart,’ the stories began to sound like songs. Thomm Jutz and I sat in small chairs that faced the easy chair, situated beneath a photograph of Pleasant Hill Church of the Brethren, Mac’s childhood place of worship. We wrote down the stories, and found them rich with melody and rhyme.”

To begin the recording process, producers Cooper and Jutz assembled an all-star band of musicians including mandolinist Sierra Hull and multi-instrumentalist Justin Moses —both also lent vocal talents—and bassist Mark Fain. Further, featured performers were carefully chosen based not only on artistic mastery, but also reverence for the album’s subject, Mac Wiseman. The result is a collection of perfect performances by John Prine, Jim Lauderdale, Shawn Camp, Junior Sisk, Alison Krauss, Andrea Zonn, Ronnie Bowman, Sonya Isaacs Yeary, Becky Isaacs Bowman, Buddy Melton, and Milan Miller, with special vocal appearances by Mac Wiseman.

“Everyone who sings on this album understands the greatness of Mac Wiseman and the responsibility inherent in voicing Mac’s story and interpreting Mac’s words,” Cooper says. “These artists approached the songs with joyful reverence that is palpable to anyone who listens.”

For more information, visit, www.mountainfever.com.

If you would like to enjoy learning more about Mac Wiseman close up and personal, you can also order his beautifully written book “Mac Wiseman: All My Memories Fit For Print” as told to Walt Trott. The memories reflect nearly a century of the American experience that could only be told through the eyes of someone whose voice found success in so many genres of music.
​Check it out and get your copy on most internet booksellers’ websites. If you are Facebook, like Mac’s Bluegrass ERA, a page on which Mac share video performances and photo memories.

Jeannie Seely writes the songs and Infamous Stringdusters test Gravity in new CDs

GRAMMY® award-winning country music legend Jeannie Seely’s long-awaited new album Written in Song is now in select stores and available through digital retailers.
Written in Song is such an exciting project for me for many reasons,” Seely said. “It consists of 14 songs that I have written over the years, most of them recorded by my peers and my heroes. It’s also very rewarding to know that these songs have stood the test of time and are just as viable today. I am extremely grateful to the musicians and singers who made them sound brand new.”
The Grand Ole Opry songstress, known as “Miss Country Soul,” continues a whirlwind media schedule to promote the 14-track album full of original songs recorded by Merle Haggard (“Life of a Rodeo Cowboy), Dottie West (“He’s All I Need”), Ernest Tubb (“Sometimes I Do”), Willie Nelson (“Senses”) and more.
Seely brings back the traditional country sound that fans have been longing for on Written in Song. Standout tracks include “Leavin’ & Sayin’ Goodbye” featuring special guests Kenny and Tess Sears, “Senses” with guest Connie Smith and Marty Stuart and “We’re Still Hangin’ In There Ain’t We Jessi” with Jan Howard and Jessi Colter. Written in Song is distributed by Smith Music Group.
Like Jeannie Seely on Facebook or visit jeannieseely.com.
Bluegrass virtuosos The Infamous Stringdusters released Laws of Gravity, debuting at #3 on iTunes Country Chart and #1 on the Amazon Bluegrass Chart. The new album marks a return for the Grammy-nominated acoustic five-piece.
The Infamous Stringdusters — Andy Hall (dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book (upright bass) recorded the album in Nashville and co-produced it with Billy Hume (Ludacris, Ying Yang Twins).
“This is the record I’ve been looking forward to making since the band started,” Hall said. “As pure of a Stringdusters sound as there is. All original, all us, recorded live for you. From bluegrass to jams, to songs relevant to the times, the music here is a true representation of what makes us tick.”
The band will take this album on the road for an extensive tour that has already begun.
“We are a band,” Pandolfi said. “We play live together, and more than any one song or achievement, this is what we do. Now we have an album that captures that.”
Learn more at www.thestringdusters.com.

Thank Your Lucky Stars

Webster describes a star as a celestial body with twinkling points of light. The wise men of old followed a star to the baby Jesus. Centuries ago, sailors learned to navigate themselves around the world by the stars.
Today, many look at people who have reached a certain status in their field as stars.
Do we look at these people as twinkling points of light? I imagine some do. Many stars use their celebrity to accomplish great works of charity.
The late Danny Thomas and his St. Jude’s Children’s Hospital is a wonderful example. Now, many years after Mr. Thomas left us, his work lives on in the children they help each and every day.
I have been blessed to know many stars in my life. People who I have admired. People who have been guides to me in the darkest of night, or the brightest of day.
First and foremost, one of the greatest stars I have ever come to know is Jesus. His light has lead millions now for 2000 years. For this Georgia boy, he is always there to lean on, or to guide me through whatever comes my way.
My parents were stars to me. No matter what they faced, the great depression, war, meeting the needs of my brothers and I, they were always there doing what had to be done.
Many teachers were stars to me. At any given point in my schooling, I can find one teacher who stood out in giving me more than what was required. They would make whatever I wanted seem important. No matter how dumb the question was, they made it seem intelligent. One teacher in particular, because of his love of music, changed the direction of my life. Dr. Donald Grisier brought the fiddle into my life and set the stage for God to open so many doors.
My first employer, Joe Wyche, ran the local Dairy Queen near where I grew up outside Atlanta. He and the managers, David and Ed, gave me a chance to earn a little money. I was able to learn responsibility and how to deal with customers. Thanks to their guidance, I soon became one of the youngest managers in the Dairy Queen system. But before that I could make the best cone curl in the business. All the people I worked with there were stars to me.
Now I have mentioned parents, teachers and a restaurateur as being stars. Now I’ll mention a couple of people who you may consider to be popular stars.
When I was still in my teens, Bill Monroe, the father of bluegrass music, took interest in this young fiddler. He spent many hours sharing his music with me. Grand Ole Opry stars Jim & Jesse also become huge advocates and mentors in my life. They were my guides, my teachers, my friends and some of the highest stars in the musical heavens to me.
Carroll O’Connor, TV’s “Archie Bunker” and “Chief Gillespie,” and Alan Autry, TV’s “Bubba,” both took an interest in me as a person and in my work. They took the time, along with many producers like Walt Dornisch, directors like Peter Salim, Larry Hagman and Leo Penn and other actors to encourage me, teach me and give me opportunities to go where a boy from Georgia could not even imagine — on “In the Heat of the Night.” These and so many others are stars to me from that period in my life.
So many stars touch our lives every day. To me a star can be anyone who does what they do well. Then they share that God-given talent with others. They may be a good cook, a great mechanic, a successful salesperson, an inspiring clergyman, a visionary statesman or a cone-maker. They are all stars to me. Why don’t you take a look at the stars in your life? and let them know that your life is better because their light is shining on you. Is your light shining on those around you? If so, you can be a star too.

Animals are Christians too — aren’t they?

When there was no place among people for Mary and Joseph in Bethlehem, the animals made room for the birth of Jesus in a stable. Donkeys and horses were probably among the first to look upon the Son of God.
Isn’t it only appropriate that there be a place for them in the Kingdom of God? I am reminded of an old farmer, Jebadiah Cross who had worked his fields side by side with his old gray mule named Flossie for many years. When Flossie died, he called the Presbyterian preacher to come and do the funeral for his Flossie.
Upon arrival, the elderly preacher stepped down from the buggy, dusted his long black overcoat, and straightened his black stovepipe hat. He prepared himself for comforting the family. He was shocked when Jebediah led him to the barn and he discovered the dearly departed Flossie was only a mule. He popped on his hat, said there was no way he would ever preside over a service for a mule and sped towards his carriage.
So Jebadiah called on the new Methodist minister. Just in his twenties, he had arrived from seminary to serve an established congregation. This was to be his first funeral. Nervously, the young man came out to visit Jebadiah. After discovering that Flossie was not a member of the family, the minister had to break the news that he could not do it because he was worried about how his new congregation might react.
Finally, he called a Baptist pastor. The pastor arrived in a Ford Model T. It almost sighed with relief when the middle-aged well-fed pastor stepped to the ground. Again, Jebediah led the clergy through the house and then back into the barn where Flossie lay in state. He concurred with his fellow clergymen that he couldn’t lead a funeral service for a mule.
As the pastor headed for the barn door, Jebadiah looked down at his faithful companion, stroked her mane and said, “Well, Flossie, I guess I’ll just have to keep that $10 for the preacher.”
The Baptist pastor turned and said, “You should have told me Flossie was a Baptist.”
Animals are sometimes better friends than most folks are. Cats, dogs, fish and birds can all make differences in our lives.
Some folks are cat people — I am not a cat person. Not that I have anything against them. It is just when I am around them I sneeze, itch, scratch, turn blue and eventually die. But if there is a cat anywhere to be found, nine chances out of 10, it is rubbing up against my leg.
When I look at a potential date, one of my first questions is: “Do you like pets?” If they have a dog, I know that I am safe — well sort of. Some of them can leave a permanent impression. I have one of those on my right leg. Boy, old Bugar sure could bite.
Ever since I was a little boy, I have been a dog person. You can do so much more with a dog.
What can cats do anyway? They lay around the house and eat. That is a man’s job isn’t it? Might explain why so many women have cats instead of men. Most women probably want only one animal laying around the house anyway; at least cats don’t talk back.
But dogs, they can hunt, play Frisbee, scare off bad guys. I remember one of my first dogs when I was little, Brutis. I couldn’t have been more than three-feet tall. He was six feet if he was an inch. I am not kidding. He could stand on his hind legs and look my dad in his eyes.
Often my dad would say after supper, “Why don’t you go out and play with Brutis.”
Play with Brutis? That dog played with me. I was like a big, squeaky toy for him.
He had this little game he would play — let’s see how many times we can knock Randall to the ground. He was a good trainer; eventually I learned how to play dead.
I will say this: Brutis was a cultured dog. He had the finest taste in clothing. One time he felt that I was not dressed quite right, he held me down and tore every stitch of clothes off me.
I think it was his way of saying, “My mommy dresses me funny.”
My mother did not care for his fashion advice and he was soon on his way to destination unknown.
I sort of envision him on the defensive line of the Bulldogs. He sure knew how to tackle.
From the comedy story “Animals are Christians Too — Aren’t They?” by Randall Franks, used by permission of Peach Picked Publishing.

Chicken in the country and a Tennessee Moon

Great Country Moments is a special internet production of Springer Mountain Farms® that in January will feature episodes with Janie Fricke, Oak Ridge Boys, Rex Allen Jr., Mark Chesnutt, Bill Anderson, Jeannie Seely, Confederate Railroad, Charley Pride and Ronnie McDowell. The program is available online at www.greatcountrymoments.com.
Through the one-of-a-kind story segments, the featured country stars will take viewers through some of the best times of their career and reveal emotional, exciting, and memorable moments that fans have never heard first-hand. Along with the videos will be trivia questions that viewers can answer to enter a contest to win a variety of prizes. A grand prize of a free freezer full of chicken will be given away to one lucky winner who participates in the trivia contest.
The “Great Country Moments” series features a new video being released each week. The recipe segments will reveal the artist’s favorite homemade recipes using Springer Mountain Farms® chicken, along with a written recipe that will be available to viewers. Some of the stars featured in the series include Charlie Daniels, The Oak Ridge Boys, Tanya Tucker, Ronnie McDowell, Deborah Allen, Jimmy Fortune and many more.
“Springer Mountain Farms enjoys many wonderful partnerships with the country music community. Great Country Moments is another great outlet to feature some of country music’s finest with an added bonus, their favorite chicken recipe! We have created a living cookbook that fans and Springer Mountain Farms® chicken lovers can follow along with. I can’t wait to try the recipes out in my kitchen!” said Gus Arrendale, President of Springer Mountain Farms.
On the bluegrass front, check out the new Pinecastle release Jan. 17 from Ray Cardwell called Tennessee Moon
Tennessee Moon has a clear New Grass influence in producer Pat Flynn. However, with nine out of twelve tunes written by Cardwell, the album is his own take on that classic sound.
“I feel my music is based upon the traditional style of bluegrass and old timey music my parents raised me on, and the collection of musical experiences I’ve had in my journey through life, Cardwell said. “My songwriting is a direct reflection of new ideas balanced with the traditions of the past.”
Flynn also adds his talents on guitar and harmony vocals to the album along with fellow New Grass Revival alum John Cowan lending tenor and harmony vocals on many of the tracks. Cardwell has already built a touring band of incredible musicians to take his music on the road as Ray Cardwell & Tennessee Moon.
Ray honed his musical chops playing in The Cardwell family bluegrass band in the late 1970’s. In the ‘80s he spent time playing rock and reggae before moving to Nashville in the ‘90s to be a member of the bluegrass band, the New Tradition. He returned to his home state of Missouri a few years later to raise a family while teaching vocal and instrumental ensembles. Along the way he has had experience with an eclectic mix of musical genres from bluegrass and Americana to musical theater and Motown. Now living in Nashville,  Cardwell has returned to his musical roots while blending in his varied influences to create a style all his own. For more information, visit RayCardwell.com.