Appalachian heartwarming with Dolly and Stella Parton, Crystal Gayle to join Opry

/in /by

Dolly and Stella Parton are coming back to NBC on Wednesday, Nov. 30 at 9 p.m. (E.S.T.) with “Christmas of Many Colors: Circle of Love.”
Both sisters make special appearances in the film, while Dolly introduces the film and serves as narrator.

DOLLY PARTON'S CHRISTMAS OF MANY COLORS: CIRCLE OF LOVE -- Season: 1-- Pictured: Dolly Parton as Painted Lady -- (Photo by: Quantrell Colbert/NBC)

DOLLY PARTON’S CHRISTMAS OF MANY COLORS: CIRCLE OF LOVE — Dolly Parton as Painted Lady  (Photo by: Quantrell Colbert/NBC)

The greatly anticipated Georgia-lensed sequel to last year’s “Coat of Many Colors” is a family-oriented, faith-based movie starring Jennifer Nettles (Grammy Award-winning singer/songwriter and actress), Ricky Schroder (Golden Globe® Award-winner for The Champ, NYPD Blue), Alyvia Alyn Lind (Blended), Kelli Berglund (Lab Rats), Mary Lane Haskell (Coat of Many Colors), Cameron Jones (Shortland Street), Stella Parton (Green Corn), Hannah Nordberg (American Pastoral), Farrah MacKenzie, Parker Sack, Forrest Deal, Dylan Michael Rowen, Blane Crockarell and Gerald McRaney (Major Dad).
The film continues with the story of young Dolly Parton as the Parton Family experiences a true Christmas miracle drawing the Partons closer together than ever – with deepened faith and love for one another. The film delivers Christmas joy and peril as an unexpected blizzard threatens the Parton family while Dolly’s and Stella’s father and his kids make sacrifices to raise enough money to finally buy his loving wife the wedding ring he could never afford. Meanwhile, an important person in little Dolly’s life begins to see that her amazing voice and musical gift might just be made for something bigger than rural Tennessee.
For those who wish to have it as a stocking stuffer, Warner Bros. Home Entertainment will make it available on DVD on Dec. 20 with special features for $19.98. To learn more about Dolly, visit DollyParton.com or about Stella, visit StellaParton.com.
Grammy-winning songstress Crystal Gayle was surprised during a recent Grand Ole Opry performance by Opry member Carrie Underwood with an invitation to become an official Opry member. Gayle will be formally inducted into the Opry on Jan. 21, 2017 by her sister, Opry legend Loretta Lynn. Gayle made her Opry debut nearly 50 years ago on the Ryman Auditorium stage, singing the country classic “Ribbon of Darkness” at age 16.
Underwood surprised the sold-out Opry at the Ryman crowd by joining Gayle on the smash hit crystal-gayle“Don’t It Make My Brown Eyes Blue.” Seconds after finishing the duet, Underwood turned to Gayle and said, “You are an inspiration to so many of us. You are important to country music, and you are important to the Opry, which is why I was asked tonight to ask you if you would like to join our Opry family officially.”
Accepting her friend’s invitation with a hug, Gayle said, “I have always felt like I was a member of the family and this is just so special.”
“For more than half of the Opry’s 91 years, Crystal Gayle has been lending her signature vocals to Opry shows and connecting with Opry audiences as well as with everyone backstage,” said Opry Vice President and General Manager Pete Fisher. “She is family, and we are very excited that she’ll become an official Opry member early next year.”
For more information, visit crystalgayle.com.

 

Civility, is it “Gone with the Wind?”

/in /by

As I have surfed through social media and watched news reports of late highlighting the actions displayed following our elections, it has broken my heart to see that we are at the point when men and women cannot be more effectively self-governing with their words and actions.
Many years ago, I penned the following thoughts which reflected on the changes of civility I was seeing in my native South. It saddens me beyond end to see the impact that mass media, music, education, and upbringing has had on the next generation as exhibited of late, so I thought I would find some hope in these thoughts:
I have been blessed to travel to many parts of the United States. But there is no feeling to me like crossing those imaginary lines created to define the South.
I breathe easier. I worry less. I don’t know why. Maybe it’s the portrayals of Southern gentility in Hollywood movies.
In 1939, there was nothing more shocking in film than Rhett Butler’s “Frankly Scarlet, I don’t …” You know the rest.
In the 1960s, television gave us shows like “The Andy Griffith Show,” which were still genteel on and off the screen. I remember George “Goober” Lindsey once relaying a story about him saying a few off-color words while waiting for the next shot on the set. He did this in spite of a warning by actress Frances “Aunt Bee” Bavier, paraphrasing, “That we don’t speak that way on this set.” She pummeled him with her umbrella. He didn’t do it anymore.
“Civility” refers to the politeness we see every day. The things that make the day a little nicer. These are the things that most Southern parents instill in their children. At least I hope they still do. “Yes, sir,” “No, ma’am,” “Please,” “Thank you,” “Respect your elders,” “Ladies, first,” and “Don’t cuss” are just a few of these civilities.
In my travels, I’ve been places where these acts are so alien to them they look at you like you’re from another planet. Where foul language flows like water from a faucet. Where if you stopped to show respect to a funeral procession, you would probably wind up in one yourself, in the lead car.
What is sad to me, in my recent travels around the South, I’m seeing more and more examples of Southern civility fading. The sales clerk or cash register attendant who ignores you or doesn’t respond to your greeting. The person who doesn’t respond to a kindness like holding a door with a “thank you.” Young people not showing respect for their elders. Foul language ringing out in public.
I don’t know whether these examples are due to a lack of parenting, a lack of respect for others, or the saturation of poor-quality TV, films and music in our society during the last few years. Variety of program choices is both a blessing and a curse. Unfortunately, language and visual images that wouldn’t make our series “In the Heat of the Night” in 1990 are now commonplace on the networks. I think Southern civility is becoming a victim of us trying to fit into what we are seeing on television and in film.
In recent years, Southerners in series television act more like transplants from Los Angeles or New York with a Southern accent. Considering that’s where they are probably from, it’s not surprising. The late Carroll O’Connor once told me that “we all say things to be polite.” For example, “Can I help you with that?” when someone is carrying a load, expecting, maybe hoping for, “No thanks, I got it.”
I hope we never lose that in the South. Kindness, politeness, Southern civility is not “Gone with the Wind.” It’s hopefully just swaying a bit in the breeze of popular culture. Maybe it’s just gonna take a few more Aunt Bee’s to remind all of us Goobers how things are supposed to be.
I pray that Americans will once again find the civility and respect for each other that is not only expected but required for a democratic republic to endure and thrive. May God bless us and keep us, everyone.

A privy and some plums

/in /by

The gentle falling of snowflakes takes me back to the days when cold weather would bring a tough decision at the old family homestead.

Being cold in the winter was a common experience, since the only heat came from a fire in the main room. Grandma would always be the one up early to get the fire going before anyone else was out from under their warm down covers.
Sometimes in the middle of the night, the call of nature would come upon me. Unlike our house in town, where the bathroom was only about 15-feet down the hall, I was faced with a decision to make a 20-yard dash to the outhouse or simply utilize the chamber pot.
Most would use the chamber pot. But for some reason as a kid, even when the temperature dipped into the teens, I would push myself to put on my old black leather work boots and my brown quilted coat with the hood and make the trek up to the old white pine outhouse.
It wasn’t a very fancy building, much like those depicted in so many arts and crafts designs. The lumber from which it was made was hewn by hand and weathered by years of use. A simple wood latch kept critters from wandering in there with you. It wasn’t always successful, however.
I remember one time my little cousin, Wilbur, was making use of the facilities. Wilbur wasn’t very tall for his age. With his small frame I wonder how he managed not to fall in, I had trouble myself when I was young. After a few minutes in there, he ran out pulling up his britches, claiming there was a creature attacking him from underneath like the monster from the black lagoon. After investigation, we discovered that it was a two-legged dominicker from the hen house which apparently had decided to peck more than the ground.
In the summer, without air-conditioning, evenings were spent sitting on the front porch to catch a breeze to ease the heat which built in the house throughout the day. A trip to the old privy would find many types of crawly and flying critters, although they seldom bothered me except for an occasional sting. I seem to remember that happening one time. I then spent the rest of the day with a Bruton Snuff poultice attached to whatever part of my body the critter stung.
While I can reminisce fondly about trips to that quaint little building, as someone who was raised in the city, I must say that with the exception of the great solitude of the outhouse amidst God’s great outdoors, I did much prefer modern porcelain versions.
However, when the plums come in, I often wish I could take a trip back to the outhouse. About 20-feet beyond it was a red plum tree that often required my attention. I just loved making a trip out there to eat my fill.
Of course, my mother and grandma would warn me to stay out of the plums. “If you eat too many, you will get sick,” they would say, and they were right.
If I spent an hour up that plum tree, I would spend most of the next day about 20 feet away.
Thankfully, I never got a visit from the dominicker from beneath.
From Randall Franks’s “A Mountain Pearl: Appalachian Reminiscing and Recipes.”

Whose America will it be?

/in /by

As I place these words to paper, the outcome of the 2016 presidential election is yet to be decided.
I would like to join the throngs of those saying the rhetoric has made this one of the worst election seasons in history, but I know as a student of history many before have been as bad or worse, they just were not in our lives.
I will say this, it has been one of the worst that I have seen but the greatest difference is the violence that has been carried out by individuals who chose to attack persons, steal or vandalize property because they expressed a different preference in the race.
Assuming that the votes are in and tallied and a winner of the popular vote declared, after the electoral college meets next month to finalize our process, then there will be a new president elect who will take office in January.
It is time now for our country to come together and heal from the political turmoil of the last 18 months.
Whomever is the victor, whomever is the loser, ultimately what is important is we are Americans. We are all Americans and as that we should rise to a higher standard and treat one another with the respect that our forefathers and mothers would expect.
Generations struggled, fought and died so that we may enjoy the fruits of their labor and sacrifice and build upon their shoulders. We owe them and ourselves the effort of reaching for the stars and walking a path to make our country a place where we see each other through the eyes of understanding.
We should be able no matter where our hometown is, to walk down our streets safely, enjoy the opportunities to pursue our dreams, whether that means, raising a family, working a job, or running a business, possibly providing jobs for others.
We are Americans, in the wake of this election that is what we are first, no political ideology should have precedence over who we are because that one element is what has provided the strength that has allowed our country to prevail throughout our history.
If we spend our time fighting amongst ourselves, we will never notice the threats aimed at our republic from outside or miss those individuals on the inside with their hands in the proverbial cookie jar wishing to do harm at home.
Assuming as I write, that there are no more post-election revelations that upturn the normal order of things, I encourage you to pray for our country, pray for our new leader, but most of all pray for the healing of the wounds that have been inflicted upon our country and its people from many sources in recent years.
We are better than what is seen on television, newspapers and on the internet. So, remember what America is and will be is up to us. Don’t disappoint, start by loving your neighbor as yourself. One person at a time, that will be a legacy, we should build upon.

A mule in charge

/in /by

In the valley below the Gravelly Spur Mountain there was a partnership of sorts between the humans and the animals that worked the farms to create the crops that helped feed them all.
There was no more needed partner than the mules that helped to cut the furrows straight along the curves of the mountainsides near the old apple, peach, pear and plum orchards that bore the fruit for summer canning of preserves and drying for the special Christmas cakes that helped make each season a little more fun for each family.
Young Pearl had a knack with the animals and especially the mules around the valley. No matter whose they might be, she always seemed to be able to get them to like her too.
On the Wood farm nearby it was old Pete that helped to make each workday that much easier.
All the kids loved old Pete, though he wouldn’t let anyone ride him. It was like he was a kid himself especially in the summer time. As all the kids rushed towards the swimming hole once released from their chores, you would see Pete traipsing behind them headed there too. He would be the first to climb to the leap overlooking it, jumping into the waters below as his black coat shimmered in the summer sun until he plunged deep into the waters below.
This was the only time that anyone had a chance to climb up on old Pete’s back as the kids swam along. While keeping a float himself, Pete had no power to buck them off.
One time the Wood’s hired man Richard decided he was going to teach Pete a lesson and break him. Richard was a big man, so Pete seemed small as he climbed up on him, and wrapped his long legs below Pete’s belly and twisting his toes together so Pete could not buck him off.
Pete finally got tired of trying and instead of being broke; he simply lay down and rolled over with the hired hand still attached. Needless to say, it wasn’t Pete who got broke in that maneuver,
While it was hard to realize, Pete was getting to old and weak to continue his tasks around the farm and Mr. Wood had grown so fond of him, he couldn’t bring himself to take him out and shoot him as many did when their usefulness had faded, so he decided to trade him in on a new mule.
He took him up to Shirley’s Trading Post and with the addition of 15 dollars U.S.; he traded Pete for a light brown mule named Mary. She had all her teeth and appeared as though she had many years of plowing and hauling in her.
As Mr. Wood began at first light hitching the plow to Mary, he could see that she had a reluctant streak that was deep and wide within her. It was a fight to get her moving and keeping her on the straight and narrow pulling each furrow.
As an experienced worker with mule, he did all he knew to get Mary in line but to no avail.
Finally, he went back to the house and called to his five-year-old boy Bryant to come and assist.
He told him to climb up on her back facing backwards; he cut a peach limb and handed to him.
“Boy, you just hit her with that if she starts to balk,” he said.
Mr. Wood hated to hurt any animal; he knew that young Bryant’s coaxing would be more like a nuisance than a whipping to Mary. So it began a long day of getting Mary accustomed to her duties.
By the next day, things were no better except this time after a night of rubbing cornstarch on the inside of his legs, Bryant got a piece of broken machinery belt that came from the valley saw mill to serve as a shield between he and Mary’s back and the process continued.
By the third day, Mr. Wood decided that Mary was just not the mule she should be, and he proceeded to take her back to the trading post to renegotiate.
Somewhere in the discussion with Mr. Shirley the word liar aimed at Mr. Wood brought forth a flow of anger not often seen in a man such as Mr. Wood. Bryant just barely big enough to get away from his brothers in a game of tag, saw the sawdust from the floor begin to fly as the two men exchanged blows. The flying fists stirred the shavings while Mr. Wood gained ground with each swing.
Before long the ice man cometh and before you could say winter freeze, he had pulled the two up. Showing his special deputy badge he brought the match to an end.
He told them both to settle their disagreement peaceably so the sheriff didn’t have to be summoned.
The iceman asked Mr. Shirley if he wanted to give Mr. Wood back his mule and the money or give him a new mule.
Shirley agreed on a new mule; so the threesome headed back home, with yet another helpmate for the farm.
This time, the white mule named Ada was one that actually wanted to participate without Bryant sitting astride whipping him along the way.
While he was no Pete, it was not long until the kids loved him too.
The moral of the story is simple, if you plan to trade a mule, be sure he or she is willing before you have to see the shavings fly.

Bill Anderson and Charlie Monk reflect on life in the country

/in /by

Songwriting icon and legendary performer “Whisperin’ Bill” Anderson released his new autobiography Whisperin’ Bill Anderson: An Unprecedented Life In Country Music recently.

AndersonCompA2.indd In addition, listeners can sit back and enjoy a NEW audio book narrated by Bill Anderson. The audio book bundle also includes a Bonus CD featuring 10 never-before released self-penned acoustic recordings by Anderson, including smash hits like “Whiskey Lullaby” (Brad Paisley/Alison Krauss), “Give It Away” (George Strait), “City Lights” (Ray Price) and seven more.

Whisperin’ Bill Anderson: An Unprecedented Life In Country Music is a representation of Anderson’s journey, and published by University of Georgia Press. Read by Bill Anderson himself it features eye-opening personal stories from his nearly eighty years of living – from early days of radio broadcasting in Georgia, to standing alongside the greatest country music stars in the world onstage at the Grand Ole Opry, to meeting Elvis Presley, to being named BMI’s first ICON Award winner in the country music genre.

The book is a 360-page reflection of Anderson’s journey includes Peter Cooper as a contributing writer. It includes rare, never-before-seen photos and eye-opening personal stories from Anderson’s nearly eighty years of living – from early days of radio broadcasting in Georgia, to standing alongside the greatest country music stars in the world onstage at the Grand Ole Opry, to being named BMI’s first ICON Award winner in the country music genre.

With the 2015 success of Mo Pitney’s “Country,” Anderson has become the only country songwriter to tally a Top 40 hit in seven consecutive decades, and he stands today a legendary performer, who recently celebrated his 55th Anniversary as a member of the Grand Ole Opry.
The book is available for $29.95 at Barnes & Noble, Books-A-Million, various independent book stores, and online at www.BillAnderson.com and Amazon.com.

If you work in the Nashville music business and don’t know the name Charlie Monk, you probably haven’t been around very long.  After all, he is the “Mayor of Music Row.”  This year, Monk is celebrating six decades of blood, sweat and tears in show business.

“When I started out in 1956, I wanted to be a radio or TV star or maybe an actor,” recalls Monk.  “I found out when I moved to Music City that I was a lot better at nurturing other talented people which got me into the management, publishing and production side of music.  I’m proud that I have made a good living for my family, had a lot of fun hanging with super talented folks and doing a lot of different things in the entertainment world.”

Monk recently attended his 60th high school class reunion in his hometown of Geneva, Alabama.  During his visit, the town presented him with his very own roadway, “Charlie Monk Lane.”

“Everybody in Geneva, Alabama, population 4,500, knew that I was the poorest kid in town but they knew that I was a hard worker and many of them gave me jobs and encouragement,” he says.  “It took a village to raise me. I am unbelievably honored with this recognition and thank the mayor and city council for having the ceremony during a reunion of my 1957 high school graduating class. ‘CHARLIE MONK LANE’… that’s pretty cool.”

Charlie Monk may know everyone working in Nashville’s music community. Outside of that community, Monk may very well be Nashville’s most influential unknown. Whether entertaining America on his daily SiriusXM radio show, managing Monk Family Music or hosting a major music event, he is honest and frank in everything he does. It’s his unique personality, combined with 60 years experience in show business, that has made Monk one of the most respected executives on Music Row.

Through the years, Monk has developed strong instincts. In 1983, for example, Monk signed a young singer/songwriter named Randy charlie-monkTraywick — now known as Randy Travis. He signed Kenny Chesney to his first songwriting deal and negotiated his first record contract with Capricorn Records. Songwriters Monk has signed “off the street” include Marcus Hummon, Holly Dunn, Jim McBride, Keith Stegall, Aaron Tippin and Philip Douglas.

Monk Family Music Group published songs have been recorded by Travis, Tippin, Led Zeppelin,  Lonestar, Reba, LeAnn Rimes, Tracy Lawrence, The Mavericks, Cheap Trick, Kenny Rogers, Sandi Patti, Glen Campbell, Otis Redding, Louise Mandrell, Trick Pony, Carolina Rain, Ike & Tina Turner, Jeff Treece, and John Michael Montgomery.

Monk’s entertainment career began in 1956, sweeping floors at WGEA in Geneva, Alabama. He landed a weekend air shift at the station and remained throughout his high school years.
A founder of the Country Radio Seminar, Monk produced and hosted the annual New Faces Show for over 40 years. He is an alumnus of Leadership Music, lifetime Director of the Country Radio Broadcasters, a member of the Country Music Association, the Academy of Country Music and the Gospel Music Association. He has served as VP of the National Academy of Recording Arts and Sciences, VP of the Nashville Songwriters Association International, VP of the Gospel Music Association, Board of Leadership Music, and local President of the American Federation of Television and Radio Artists (now known as AFTRA-SAG).  Monk was inducted into the Alabama Music Hall of Fame in 2014.
This year, Monk is nominated for induction into the Tennessee Radio Hall of Fame as well as the Country Radio Broadcasters Hall of Fame.

Cardboard Fox creates some sturdy musical sounds

/in /by

Often as an entertainer, I get the chance to share some time with other talented musicians. I was afforded that opportunity recently while spending a couple of hours with a talented group of musicians from England.

cardboardfox

Cardboard Fox

While I heard them jamming with a different line up than their norm with their bassist playing banjo, the sounds of Cardboard Fox impressed me.

The band is made up of John Breese on double bass and vocals; Charlotte Carrivick on guitar and vocals; Laura Carrivick on fiddle and vocals; and Joe Tozer on mandolin.

Cardboard Fox is fast becoming one of the most exciting young acts on UK the acoustic scene.

The band’s unique blend of modern folk and progressive bluegrass, combined with original song writing and energetic performances, is giving them a growing presence on the UK Folk

and acoustic music circuit.

I was able to listen to the 2015 Spiral Earth award winner’s latest CD – “Out of Mind.”

The project features ten originals and three covers.

While not conventional bluegrass, the music is amazingly offered and sure to appeal to listeners in every age bracket but especially those who look for a unique mix of present and past in their tastes.

Between them, the band have contributed eight original songs and two tunes to ‘Out of Mind’.

The two tunes featured are Joe Tozer’s ‘Gone, Not Forgotten’ and Charlotte Carrivick’s high–‐octane fiddle tune, ‘Hiding in Hi Vis’. Spread across the album are also three covers, perhaps the

Most surprising being Ingrid Michaelson’s pop hit, ‘Girls Chase Boys’. The band have also included a subtly re-harmonized version of Dirk Powell’s ‘Waterbound’ and a bluegrassy cover

Of the famous Bob Dylan song, ‘Don’t Think Twice, It’s Alright’. The original songs range

From acoustic pop with catchy riffs (‘More Than You and Me’, ‘Out of Sight is Out of Mind’), to

Modern bluegrass, with the addition of John’s banjo playing on ‘Couldn’t Find the Time’ and

cardboard-fox

Cardboard Fox jams at the IBMA World of Bluegrass in Raleigh, N.C.

Twin fiddling on ‘I’ve Gotta Run’. The band’s signature mandolin, fiddle, guitar and double bass line up is augmented on ‘Felicity’ with an electric ‘Fun Machine’ organ, which turned up on the street outside Joe’s house while the band were in the studio.

Recorded and produced by Josh Clark at Get Real Audio (Miranda Sykes & Rex Preston, Damien O’Kane, Nizlopi) in Bath, mastered by Nick Cooke (Kate Rusby, False Lights)

The group has performed at festivals across the UK and Mainland Europe, performing at Glastonbury and showcasing at the English Folk Expo and European World of

Bluegrass Festival. They traveled to the U.S. to appear at the IBMA World of Bluegrass.

I want to encourage you to check out their CD on iTunes, amazon, and Spotify. You can visit their website, www.cardboardfox.co.uk and find them on social media www.facebook.com/CardboardFox, www.twitter.com/CardboardFox1, www.instagram.com/CardboardFox1.

Pickin’, singin’ and a lot of grinnin’

/in /by

While America’s media concentrated upon candidate negatives and battles in community streets, I was honored to spend some amazing hours away from these talking heads and among some of our country’s most amazing people.

They had not gathered over political policies, perceived injustice had not placed them on opposite sides of a demonstration.

Music had brought them together, from seniors to children, black, white, brown, and all shades in between, representing races and people from countries around the world. I stood in the hallways of the Raleigh Convention Center in North Carolina and its neighboring hotel, listening to various languages being spoken as they prepared to jam playing yet another tune or sing another song.

randallfranksanddel-mccouryibma

Randall Franks and Grand Ole Opry star Del McCoury pause backstage at the IBMA Awards Show.

They held banjos, fiddles, mandolins, guitars, and basses among others. They sang songs from the repertoire of Bill Monroe, Flatt and Scruggs, Jim and Jesse, the Stanley Brothers, Alison Krauss, Doyle Lawson and many others.

The International Bluegrass Music Association World of Bluegrass including their annual awards filled thousands of people’s faces with smiles and the hearts with a song. While there was a long list of artists who went away smiling holding awards which makes them the leading of their genre in the coming year, the greatest smiles were on the musicians which simply came to jam and make new friends.

Some key winners were The Earls of Leicester, Entertainer of the Year; Becky Buller, Female Vocalist; Danny Paisley, Male Vocalist; Flatt Lonesome, Vocal Group of the Year, Song of the Year and Album of the Year; Frank Solivan and Dirty Kitchen, Instrumental Group of the Year; and Mountain Faith, Emerging Artist.

Joe Mullins and the Radio Ramblers took the Gospel Recorded Performance of the Year with “All Dressed Up.” Guitarist Clarence White and Rounder Record founders Ken Irwin, Marian Leighton-Levy and Bill Nowlin were inducted into the Bluegrass Hall of Fame.

Distinguished Achievement Awards were presented to Bluegrass Unlimited magazine; Boston Bluegrass Union; Bill Emerson; Jim Rooney and SiriusXM’s Bluegrass Junction.

Learn more at ibma.org.

When I left the IBMA event, I made my way to the National Quartet Convention in Pigeon Forge, Tenn.

mark-bishop-and-mr-bishop-0074

Randall Franks visits with Mark (right) and Kenneth Bishop at National Quartet Convention in Pigeon Forge, Tenn.

Once again I found thousands gathered, smiles on their faces, and a song in their heart as the brightest stars of gospel music shared their latest songs and the biggest hits.

The Singing News awarded this year’s leading performers and the Southern Gospel Music Hall of Fame inducted their latest honorees. Some of the winners were Ivan Parker, Favorite Soloist;

Goodman Revival, Favorite New Artist; Kingdom Heirs Band, Favorite Band; Collingsworth Family, Favorite Mixed Group; Booth Brothers, Favorite Trio; and Triumphant Quartet, Favorite Traditional Quartet.

Among the new SGMA Hall of Famers were Carroll McGruder, Lari Goss, Peg McKamey Bean, and Ronny Hinson. Music agent Ed Harper was presented the Southern Gospel Music Guild Lifetime Achievement Honor.

Fans visited with their favorites and enjoyed an uplifting song-filled experience that will continue in Pigeon Forge annually for several more years. Find out more at visit www.natqc.com.

Passion and politics

/in /by

The election is nearing and we will soon go to polls and choose a vision for the future of our country.

Whenever such an opportunity is at hand, I reflect back on family stories centered around elections.

In the early days of our country, people actually had a passion about the right to vote and exercising thereof. I guess since there were still those who could remember living without that right whether here or in their home country or whose parents’ described the experience of having no such right to them.

By the mid-1800s, the rights were extended beyond property owners, and by 1870s eliminating prohibition on voting due to race, color or previous servitude. But for many the right was still out of reach and that passion re-emerged during the suffrage movement for women and then again insuring the rights already promised were delivered during the civil rights movement for African Americans.

My grandmother joined in the passion of the suffrage movement anxiously wanting to place her vote when the opportunity came after the passage of the 19th amendment, she could not wait for her chance to pull the curtain. After finishing making breakfast for the family, she headed off on foot to her poll where she proudly cast her ballot. It was years later, she told me that part of the joy of that moment was voting for a different candidate than my grandfather wanted to win thus cancelling out his vote. She finally was able to have her choice and not just have to go along.

Today, many treat voting as a nuisance, something that you only do if it convenient, or if you happen to like one of the candidates.

I hope I am not mixing up my stories but as I recall in one branch of our family, one section of the family was so passionate about the candidate running for president in the late 1800s, that when news that another cousin might vote for his opposition, they kidnapped the cousin to keep him from voting. This resulted in his closer kin retaliating to get him back resulting in some passionate exchange of gunfire until the matter was settled. I don’t remember if there were any deaths in this enthusiasm.

However, in another polling place disagreement, a battle erupted between adversary kin outside a local polling place, once again over political philosophies, resulting in, as best I recall, the final deaths in a family feud that spanned two centuries.

Passion and politics have long walked hand in hand. We have seen much passion exhibited during this season. I hope if nothing else occurs in the next few weeks, something that you hear, something you see, moves you not to take this right we have for granted. Exercise it. Be like my grandmother who walked miles to vote. Vote for whomever you feel will lead our country, your community, in the direction you desire us to go.

Men and women fought, marched, and died to give us this right. Don’t let all those sacrifices be for naught.

 

 

Country happenings with Sylvia and Ricky Skaggs

/in /by

My career in country music has allowed me the blessing of doing shows with a lot of our stars.

It always enthuses me when I can share great news about friends I have met along the way.

sylviaOne of those is country chart-topper Sylvia is who will release her new CD It’s All in the Family in early October. The 12-song album was produced by Sylvia and her longtime collaborator John Mock.
“I hope this music inspires and encourages people of all ages to continue to create in whatever genre brings them joy,” stated Sylvia. “I have found that there is no age limit on creativity. Your best work is ahead of you! I’ve felt like a kid again making this record, and I can hardly wait to share it with the world!”
It’s All in the Family is Sylvia’s first album on which she co-wrote the majority of the 12 all-new songs. The highly anticipated release is the singer/songwriter’s most personal venture to date, paying homage to her family’s musical roots and touching on the choices, challenges and turns in the road that have brought her to where she stands today. The Grammy-nominated singer collaborated with some top songwriters including Thom Schuyler, Craig Bickhardt, Jeff Pennig, Kate Campbell, Bobby Tomberlin, and Mark Narmore. John Mock wrote the music for six cuts on the record as well as string arrangements for half of the album.
Known for her long list of huge hits like “Nobody” and “Tumbleweed,” Sylvia has a history of creating long-lasting fan favorites. With the release of Sylvia’s second RCA album, Just Sylvia, the single “Nobody” sold two million copies and was #1 on all country music charts. It was awarded BMI “Song of the Year” for receiving the most radio airplay in 1983. “Nobody” also reached #13 as a crossover hit on Billboard’s Top 100 chart and spent a total of 52 weeks on both charts. Recording for RCA until the end of 1987, Sylvia recorded six albums and garnered a total of 13 Top Ten and No. 1 songs, selling over 4 million records. In 1982, Sylvia was named “Female Vocalist of the Year” by the Academy of Country Music and was a Grammy nominee in the “Best Female Country Vocal Performance” category in 1983. To learn more, go to www.SylviaMusic.com. The CD can be pre-ordered at Itunes and CDBaby.

My longtime friend Ricky Skaggs is receiving musical honors including this year’s prestigious ASCAP Founders Award and the 14-time GRAMMY® winner will be inducted into the Musicians Hall of Fame.

ricky-skaggs“What an incredible honor it is for me to be inducted into the Musicians Hall of Fame,” says Skaggs. “Just to be named alongside so many of my musical heroes is really humbling. I’m grateful to all of the musicians who have gone before me and left a trail that I have followed and learned from. I’m so thankful for this honor.”

In addition to Skaggs, this year’s inductees include Garth Brooks, the late Jerry Reed, Brooks’ studio backing band, the G-Men and the Sigma Sound Studio Rhythm Section.

An induction ceremony and concert will be held on Wednesday, October 26, at 7 p.m. at the Municipal Auditorium in downtown Nashville. The Municipal Auditorium is home to the Musicians Hall of Fame and Museum, a 501(c)(3) non-profit organization, and GRAMMY Museum Gallery™ at Musicians Hall of Fame.

Earning 12 #1 hit singles, 14 GRAMMY® Awards, 11 IBMA Awards, nine ACM Awards, eight CMA Awards (including Entertainer of the Year), two Dove Awards, three honorary Doctorate degrees, a GMA Gospel Music Hall of Fame induction, the Country Music Hall of Fame and Museum’s 2013 Artist-In-Residence, an Americana Music Association Lifetime Achievement Award in the Instrumentalist category along with countless other awards, Ricky Skaggs is truly a pioneer of Bluegrass and Country music. Since he began playing music more than 50 years ago, Skaggs has released more than 30 albums and has performed thousands of live shows. He started his own record label, Skaggs Family Records, in 1997 and has since released 12 consecutive GRAMMY®-nominated albums. His newest release,
For more information on Ricky Skaggs, visit www.rickyskaggs.com.